Voto:
I have two LPs by April Wine, Live at the El Mocambo, which didn’t impress me much at the time, and First Glance, which had a track with an amazing instrumental interlude; I believe it's Get Ready For Love. Unfortunately, I can't listen to the record anymore because I no longer have the turntable. I would do anything to have that piece on CD. (Assuming it is the one) If you can tell me something... Bye.
Voto:
I was referring to Rocky, whom I mentioned; I was wrong not to clarify. Rambo is from 1982 and hasn't won any Oscars. But I admit you could only understand that I meant Rambo since the review is about this film. I'm not trying to dodge the issue; I really had Rocky in mind.
Voto:
As far as I remember, Mopaga both are from 1976, but I can go check; I just need to look it up in Morandini.
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... and to think it snatched the Oscar for Best Picture from Taxi Driver.
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I agree with everyone who commented before me.
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Stallone had the merit of knowing how to hit what the audience wanted; his heroes from Rocky to Rambo are losers that the viewers (not all, but many) identify with. They are his most successful characters. As an actor, it’s true he’s worth nothing, but he has this merit, which has allowed him, in addition to playing leading roles, to make a boatload of money.
Voto:
It probably doesn't align with your tastes; it's a film about the disintegration of a family, a topic that's dear to me—it's no coincidence that I reviewed America Oggi.
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For me, he was one of the greatest of silent cinema; it was enough for me to see How I Won the War and The Cameraman.
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I haven't seen her, she's not Australian but New Zealander, but I take the opportunity to talk about Jane Campion, whom I really like. Has anyone seen her underappreciated Sweetie?
Voto:
I was referring to Two Marines and a General, that's from '65.
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