47

*syderus, pardon..

congratulations to sydersus, then! ;)

Well, I find the review really beautiful. Regarding the album, Barrett's two works (excluding Opel) are, in my opinion, stunning—perhaps even better than the contemporary albums by Pink Floyd. The point is, the PF before and after Barrett are two completely different things, incomparable, but for me Syd is a genius and the others simply are not, nor have they ever been. While Syd was burning out, the others increasingly diluted their experimental drive towards the formalization of all the elements that Barrett had unleashed, resulting in their music losing more and more charm and drifting towards progressive and bourgeois dominance. Moreover, despite this, the Pink Floyd albums without Barrett have always seemed to me to be meandering, lacking a precise intent and, in a sense, ineffective; among pop melodies, hints of funk, smooth and sinuous guitar work, choral singing, and that experimentalism which often sounds self-serving to me. All of this, however, I do not find applicable to The Piper, which is hallucinogenic and primordial in its expressiveness.

Alessio, you really are a pain in the ass.

Hello azzo :) fusillo, jb did a bit as he pleased..

The Stooges are amazing, and I discovered them really really late. I can't wait to hear the album, great review ;)

both beautiful, both the reception and the song

Alright, I may have exaggerated a bit too. The one is theirs, it's not a priori (or at least, not to the extent that, obviously, I know the group—the music—the records), but it's my judgment on the work of the two burdens from Manchester, as it's easy to read from the comment, whose attached rating is simply accessory and reinforcing :) (I wasn't at the Datch Forum, but it's obvious that since they are Oasis, they will have played the Oasis-music and not reinterpreted Faust) Well, in the end, who cares.

I really like them, and for better or for worse, they have rewritten the foundations of nearly three decades of pop music. However, the mixing of this live performance makes their tracks sound alarmingly like the common 4/4 dance beats of the '90s. Still, tracks like "Trans Europe Express" (here sounding nice and dancey) and "The Model" still have undeniable charm.

What’s the point of the 1 given at the concert? I could easily give it a 5, but what I wrote stands as an expression of an opinion about the band and their music, just because I had nothing else to do but share an opinion. It’s not worth arguing with you; I criticized the band and the “thinking” of certain Oasis fans, while you focus on the stupid 1 given to the so-called masterpiece and go on with this tired discourse about voting without listening. Oasis and Dario are poorly distinct, and everyone gets the one they deserve from me. Now let's wrap this up, as mediocre discussions are for mediocre people (users). P.S.: note that I avoided offending you like you did to me, so please don’t bother me again. Thanks.