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I'm reading it now, I'm afraid there might be some spoilers in the review... can I relax?

Among other things, power metal fans (which sounds like a category that has replaced traditional beer with Red Bull) form a small circle where one can observe the time distortion that allows the survival of the most ridiculous rock stereotypes: the absolute historical importance of Queen, the essentiality and stylistic influence of Deep Purple. Pink Floyd, Zappa(??) and King Crimson are called upon by them as guardian deities of their musical culture, deities that ultimately remain just names to them.

A colleague from university recommended it to me. What can I say, I'll give it a listen, but I would generally not deny that I'm starting off with some prejudice.

The name of the singer, the band, and the cover (which would be ugly even for a pirate video game) make me assert with absolute certainty that I don't need to hear a thing to give it a 1; idiots like these make you doubt the existence of intelligent life on Earth. Forget about Big Brother; may God save us from that.

True. In fact, for that song, I spent the next five minutes after watching the film talking about it unconditionally badly. In any case, it remains a pleasant popcorn movie, but with a terrible soundtrack: Dylan in the opening, predictable but impactful, really stereotypical and out of context "the sound of silence" and "all along the watchover"(!?)

I tasted the album at FNAC, and although it was an unearthly struggle for me, I must say it didn’t seem bad, even though I’ve never been particularly interested in them. Anyway, taking a look online, one can say that Grant is in good company, all things considered. Oh, by the way, I’m moderately annoyed by this trend of releasing two albums in quick succession; it feels like they’ve all been handed out to us recently.

Everything is truly beautiful, but I'm also interested in them, (the colour haze) what should I download?

It seems that only I liked it. The review style is really cool.

After a period of love, I now see them for what they are: a mediocre and conventional group overall, and their last three albums confirm this. But above all, they are a band whose musical conception is old and quite obsolete, with modern elements that are always just cosmetic. The fact that they have remained in a sort of limbo in terms of popularity is because (I believe) they are not accessible enough to earn the attention of the general public (despite the slick and, all in all, pleasant "stupid dream") and at the same time not extreme or interesting enough to establish themselves among more discerning listeners. (Not to mention that, in my opinion, they have always lacked personality, not just in the voice.) That said, "signify" and "the sky moves sideways" are pleasant and inspired albums, even amidst the sonic orgy of the '90s.

anatas, for me you no longer like metal. It's normal, now all that's left is to choose the genre to dive into..