Io Ho Il Pene Banned

DeRank : 0,14
DeAge™ : 7202 days • Here since 20 september 2006
Guns N' Roses Appetite For Destruction
Voto:
better craxi
J.L. Mankiewicz Gli Insospettabili
Voto:
Good movie, Mankiewicz is one of my favorite directors and one of the greatest of the 40s and 50s, but honestly, among his films, I think at least 5 are better than this one being reviewed, like: Suddenly, Last Summer, The Barefoot Contessa, The Ghost and Mrs. Muir, Julius Caesar, All About Eve. 3.5
Abel Ferrara The Bad Lieutenant (Il Cattivo Tenente)
Voto:
he probably has never seen a Ferrara film, doesn’t even know who he is, not bad anyway for someone who wants to teach others about film criticism
Abel Ferrara The Bad Lieutenant (Il Cattivo Tenente)
Voto:
this is a big film about the figure of Christ, unlike Mel's Christ
Pearl Jam Ten
Pearl Jam Ten
17 apr 07
Voto:
Thank you, Stipe, for reviewing such niche albums...
Abel Ferrara The Bad Lieutenant (Il Cattivo Tenente)
Voto:
Certo! Inviami il testo che desideri tradurre e sarò felice di aiutarti.
Bernardo Bertolucci La Tragedia Di Un Uomo Ridicolo
Voto:
a lesser Bertolucci but certainly worth rediscovering, Bertolucci's masterpieces are, in my opinion, "The Conformist" and "Last Tango," after these something has been missing, rating 3.5, more than sufficient.
Creedence Clearwater Revival Cosmo's Factory
Voto:
and ramble tamble?
AC/DC If You Want Blood.. You've Got It
Voto:
one of the greatest live rock albums of all time, AC/DC at the peak of their outrageousness, with a rock and roll energy that truly encapsulated their reputation for being racists, chauvinists, drunks, vandals, drug addicts, and troublemakers; many tracks thrive solely on the demonic effect of the performance.
Marilyn Manson Antichrist Superstar
Voto:
It draws a bit from a lot of rock history iconography, Manson; at certain points in the album, a sadness settles in (though not like with the last Reznor)... other moments are more focused, like the speed metal in the track with Reznor, or the nods to The Wall by Pink Floyd and the bells here and there to Alice Cooper and W.A.S.P. Let’s not even mention the lowbrow third-hand industrial sound reminiscent of Ministry... The thing is, I listened to this album when it first came out, and I was 13 or 14 years old; unfortunately, the mental factor weighs in and somewhat diminishes all the youthful gadgetry behind these prepubescent choices with their horror-fake-rebellion tones, even if certain transitions still get me headbanging.