Io Ho Il Pene Banned

Let's be clear, guys, there are people here who are taking voting methods dictated by oligarchic and snobbish ways. Someone like festuocca, as soon as a group becomes a bit more prominent on the international scene, won’t give it a 5 even if it’s a masterpiece. I mean, the NIN are known by many today, but in 1994, the year this album was released in Italy, how many the hell were following this group? People who give votes like that should be ashamed. Foetus, who is misunderstood, gets a 5; if Foetus were the more popular one, I bet the various festuocca wouldn’t give it a 5. And also pretazzo—I just finished reading his reviews where he gave 5s to hardcore rock and roll bands from the late 70s and early 80s that weren't exactly astounding. Yet, coincidentally, the 5 was nicely carved in stone. Meanwhile, I come here and see he gives this album a 4. In my opinion, this way of giving votes is really hypocritical. Shame on you, for god's sake.

too didactic, there are better albums by The Fall than this, Dragnet or This Nation’s Saving Grace for example.

But what are all these mental gymnastics?? I mean, we're facing something immense, what the hell are you talking to me with words from the philosophical academy of the Crusca, come on, this album is a masterpiece, fuck the four of you who criticized it and fuck the festuocca of this world that only serves to annoy and to sow discord where there isn't any. To the reviewer: the peak only at the fifth track?? Hey, have you even listened to the album?? And heresy and march, what are they, for Christ's sake vehemently??

lower your crest odradek, if there’s an arrogant person on this site, it’s you and no one else, and not just in this review, but this attitude of yours spreads across many, too many reviews. Your problem, as I’ve already said to you before—and I hope you remember this—is that you believe yourself to be immensely more intelligent than others, and your tone is horrendously filled with this contemptuous mood towards culture and the abilities of others. Thankfully, others are starting to notice as well.
I certainly stand with sanjuro and alias for the little I’ve seen of Carmelo Bene, but I hope to delve deeper into the character over time. What this odra still refuses to understand is that there is no division between Bene's work in theater and his appearances on TV. He was private even in public, as he often liked to say, and what he did on stage coincided with what he conveyed on TV in the programs he participated in. Thus, saying that Carmelo Bene acted on TV suggests that very little has been learned about the character of Bene, as alias pointed out.