c'è Banned

the mother of pantegana: I went down to the crossroads, tried to flag a ride; I went down to the crossroads, fell down on my knees; and I'm standing at the crossroads, believe I'm sinking down. Pantegana, you should thank your mother, with her odd jobs she rounded up enough to buy you a computer so you can write the nonsense you write. The first and only case of anal birth.

but forget about this jerk, and start calling him pantegana instead of pantera. Go check out his comments on my reviews to see that he doesn't know a damn thing about music; and then on the Robert Johnson review there are also his fakes, avoid those like the plague too. After all, pantegana is a bluesman only half successful. While Robert Johnson at the crossroads sold his soul to the devil, pantegana's mom couldn't get anything more than her ass sold, and for a cheap price too. From that relationship, pantegana was born.

If Chuck Norris could hear you, you would understand... anyway, resign yourself, the phrase doesn't make sense, don't be a paramecium with me because it won't work.

for example, a four-hand blues signed by Jimmy Page and Eric Clapton is "Miles Road." It can be found on mulo. Decent quality, but it was just a demo, no commercial purpose. It's a pleasure to hear them play together, especially considering that in 1966, Clapton's number one fan was none other than Jimmy Page.

But the question is, who would you have declined the invitation to yourself? And above all, are Bruce Lee's films devoid of poetry? He was the only man to ever defeat Chuck Norris; he deserves 5 stars just for that.

No, no unreleased material has ever been published. However, alongside the recording of this album, there are some tapes of duets between Eric Clapton and Jimmy Page (who, after this album, would go searching in London shops for a vintage Les Paul, which was quite hard to find at the time, and which was brought back into production thanks to this album. Clapton's guitar, although even he didn't know what year it was from, seems likely to be from 1959 based on the few photos). Jimmy Page is, few know, the producer of the very first session between Clapton and Mayall. If you're interested, some of those recordings are included in "Guitar Boogie," a compilation of instrumental tracks played by Clapton, Page, and Jeff Beck, most of which are skeletons of various Led Zeppelin’s "Rock And Roll." One in particular is "Tribute to Elmore," obviously referring to Elmore James.

Come on, it can't be true, a person like that can't exist. And I'm telling you this as someone who doesn't pay protection money to the Debaser mafia. A man of integrity, in short.

Among other things, it's amusing that the riff of "Day Tripper" is quoted in "What I'd Say." Clapton intended to pay homage to Harrison, one of his guitar idols; they hadn't met yet, and from that point on, they would become great friends and colleagues (While My Guitar Gently Weeps, Badge) – and rivals in love. In reality, the riff of "Day Tripper" is by Lennon, but Clapton didn't know that. Even Hendrix covered "Sunshine Of Your Love" by Cream as a tribute to Clapton, though he didn't know it had been written, riff included, by Jack Bruce. The album cover is one of the first "alternative" covers, depicting Clapton reading a magazine (from which the album gets its nickname, Beano), completely indifferent. The intent was to stand out from the mainstream groups of the time, except, as Mayall would say, from the Beatles, of course. Maybe if I'm in the mood, I'll get a duplicate of this record :D

epochal album, I wanted to write about it myself, but I never get around to it; however, you reviewed it well. There’s so much to say about this record. At the time, the combination of Les Paul + Marshall was considered blasphemy. This album marks a turning point in terms of amplification. After this record, all others will sound like this; Hendrix had a copy of it and also began to amplify with Marshall, just like you said, thanks to this album. "Steppin' Out" would later be covered in the endless live versions by Cream, as captured in Live Cream Volume 2, if I remember correctly. In "What'd I Say," it definitely veers into hard rock; in 1966, very few had done that. "Ramblin' On My Mind" is the first time Clapton performs a piece by Robert Johnson, and it's a standout track on the album. Clapton's Les Paul was stolen just before Cream's debut concert. In short, there's so much to say about one of the most important albums of the British invasion. Well done.

"If they had told me that I would go, alone, to watch a martial arts movie, I would have declined the invitation": but what the hell does that mean? "Hey enbar77, do you feel like going to the movies alone tonight?" No thanks, I appreciate the thought but I decline.