c'è Banned

Music in 1967 was something else entirely, it was "The Piper At The Gates Of Dawn", it was "Are You Experienced", it was "The Doors", it was "Velvet Underground & Nico". The Freewheelin' was already outdated in 1967. Your claims are just a load of nonsense from a die-hard fan. Guccini isn't worth a damn, except in Italy, and only for those who have ham over their eyes and probably inside their ears as well (we're ignorant, that's why certain phenomena exist in Italy). Faust'o is absolutely right.

At Fabbrì, what can I say, fans can also call him Pippo, the fact is that there are other three symbols besides Page’s, and they are symbols, not letters. It's always better to clarify, otherwise Page gets mad.

the cover is one of the absolute worst

I liked Burn In Hell, in addition to the other 2 famous ones.

If you really want a collection of Muddy, go for "Chess Box," trust me. I’m not a fan of compilations either, but you can't do it differently when it comes to blues.

Guccini: "it's difficult for me to understand Dylan, except for the early Dylan, when the whole world was a small town, there was this wave of ideas and things that we more or less copied." As I mentioned, when Guccini was copying the early Dylan, Dylan had already made a revolution by inventing folk-rock. Unfortunately, Guccini, as he candidly admits, found it difficult to understand Dylan's later work (and to be honest, many struggled with this too; he was even threatened with death). The point is that redoing ballads and "talkin' blues" in 1967 (1977 in music, not 1963 or 1964, specifically that famous 1967) means having no artistic value. It is this derivativeness of Italian music that gives it that nasty flavor. What follows (those fabulous other 20-plus albums) is all trivial stuff, perhaps except for Radici (still nothing special). Inventing, experimenting, that is true art. If it's the lyrics that impress you so much, take something by Ungaretti; you will be pleasantly surprised.

"(but your ridiculous final intervention leads me to think that you know little about Dylan too)"

It's exactly what I'm saying, Isis. Every now and then, it's nice to hear someone who's intellectually honest. Not all the time, but every once in a while. About Farewell Angelina/Farewell, the introduction is practically identical. I could go on, but you place yourself at too high a level for a conversation to continue, since you already know everything about music. "auhuahauah, ridiculous"

What really gives me chills is the last sentence rather than the first. Especially if the album title includes the word MTV. As for Led Zeppelin's fourth album, it's neither "Sozo" nor "Zoso"; it simply has no title.

Guccini has nothing to do with Dylan except for a few albums, a few songs, apart from "Talkin' Milano," which reminds me a lot of Dylan's "Talkin' New York"; apart from "Statale 17," which seems to me a reference to "Highway 61 Revisited," and isn't it perhaps Guccini who wrote this line in "Eskimo": "against the system, I too rebelled, that is, dreaming of Dylan and the provos"???? And the song "Farewell" from "Parnassius Guccinii" isn't it played on the melody of "Farewell Angelina" from a certain Dylan? And the songs "Auschwitz," "È dall'amore che nasce l'uomo," and "Noi non ci saremo" aren't they written under the direct influence of Dylan? And believe me, I could keep going for a little while longer.