c'è Banned

DeRank : 12,64
DeAge™ : 7210 days • Here since 14 september 2006
The Rolling Stones Sticky Fingers
Voto:
not my favorite (which is "Let It Bleed," and by the way, given the cover, it would have been more suitable for a birthday), but probably the best of the Stones. "Can't You Hear Me Knockin'," "Moonlight Mile" (and not Smile, come on) and "Sister Morphine" true masterpieces, "Brown Sugar" and "Wild Horses" timeless classics. Best wishes.
The Doors The Doors
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In response to the private message from embar77, I want to clarify that I am envious of his writing style, and I had to use the thesaurus to understand what embar77 wrote. I also want to emphasize that nothing has changed since calciopoli, and that this review, synonyms or not, is a pointless load of rubbish, both for the score and for the content (which is absent, despite the stylistic perfection).
The Doors The Doors
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useless review, and moreover written with an intensive use of the thesaurus, which makes everything a ridiculous nonsense, both for the 4 given to the album and for the content. For the Doors without Morrison, I recommend listening to "Full Circle" from 1972, or even worse "Other Voices" from 1971, featuring the three skilled musicians without the overshadowing presence of Morrison's mane.
Dream Theater Systematic Chaos
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finally, after the twelfth (12!) review of this album, I can finally say that it fucking sucks
Yngwie J. Malmsteen's Rising Force Odyssey
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"Maybe you can’t imagine how many guitarists have hung up their guitars after listening to Rising Force." You are absolutely right, Panthera. But do you know how many guitarists bought a guitar after hearing "Are You Experienced"? Or after seeing Hendrix live? The difference is all right here.
Yngwie J. Malmsteen's Rising Force Odyssey
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Sorry, but it doesn't really seem to me that from the comments I made earlier I was praising Malmsteen; on the contrary, it seemed to me that it was quite the opposite.
Yngwie J. Malmsteen's Rising Force Odyssey
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Anyway, about Becker, it wasn't exactly what you meant to say. You wrote that during that time there were people much more technical, while I showed you that Becker comes 2 or 3 years later. 2-3 years in music is not exactly a short time; it's the time that passes between the debut of Van Halen and "The Blizzard Of Ozz."
Yngwie J. Malmsteen's Rising Force Odyssey
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But why does Frank seem like an original piece to you? Don’t you realize that when he doesn’t know how to fill an album, Steve Vai uses the trick of paying tributes left and right? "Jibboom" is the tribute to Stevie Ray Vaughan, "The Boy from Seattle" from Alien Love Secrets is the tribute to Hendrix; damn, that’s originality. The problem is that for you obsessed people, everything comes back to technique; for you, "hitting the open E string" is a sign of lack of technique. The riff of "Honky Tonk Women" starts with 2 open strings, but it’s more original than anything Steve Vai has done. And then to hear that Malmsteen isn’t technical just because he’s not the most technical is a discussion very much like the cover of that guy pissing on Malmsteen and Vai’s grave.
Yngwie J. Malmsteen's Rising Force Odyssey
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this is the link to Jason Becker's video, dating back to 1986, when he was still in high school
Yngwie J. Malmsteen's Rising Force Odyssey
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To tell the truth, when Malmsteen (with just one "a") made his debut, Becker and Satriani hadn't released anything yet, to the point that there's a video of Jason Becker in high school playing a "Black Star" that comes from Malmsteen's debut. Moreover, although Steve Vai was already working for Frank Zappa, he wasn't known for his technique, but for his ability to transcribe impossible scores. In fact, to be completely honest, the first real gig Vai had as a musician, rather than just a puppet in Uncle Frank's hands (like everyone who was under him), was when he replaced Malmsteen in Alcatrazz. And if for you "The Ultra Zone" is an example of originality...