sosayso

I also think it's a nice idea! You totally got me. Come on, if we don't act silly even about the spais gherls, then we're in trouble. Nice one!

Come on, it’s certainly not the worst of crue, I almost saved it in the comments on Perez’s review of this album. The review is excessively wordy, we need to be more concise. Now I'm diving into the Spice Girls.

fuck the vote

Death is just music for teenagers. Everyone grows up eventually, so just leave these CDs alone, or you'll regret it and end up selling them like I did. Anyway, this was one of my favorites along with one of Carcass (title? I don’t know, there was a wheel and some kind of arm on the cover) and Individual Thought Patterns by Death. I'm trying to give a rating considering the genre. But if you ask me, just leave it alone.

Not at the debut level, in my opinion, but certainly the standard is still quite high here. Very personal as a musician, not always easily accessible, especially in his early works, but for me, he is truly very valid.

great album, as usual. I find it less distinctive than Big City Secrets, and therefore a bit more immediate, not that this diminishes the quality of the record. The first song alone is worth the album, the other 15 tracks are more or less at the same level. I repeat: great album.

I was 17 when I bought this CD, and even today, ten years later, I like it just as much, if not more. I don't know if any of you have seen him live, but I highly recommend it; it’s an exhilarating experience, especially when he’s on tour alone with a guitar and a sampler... a show even for those who don’t know his songs, since he twists them to the point that they become almost unrecognizable... a half-unknown legend, but let’s keep him close.

Damn... I wrote a lot and forgot to put the dots.

Overall, the album doesn't excite me; the blues covers, while well-played, don't seem particularly memorable and lack impact, not due to the merit of the five musicians but rather the nature of the compositions. However, that impact springs forth brutally in the original songs: Satisfaction is known even by the walls and we still can't get tired of it, Play with Fire I find to be a fantastic song... these are the Stones who will never age, not their bodies on stage in the 21st century. It’s true what you say about the lyrics, but it’s precisely in their pure service to the rhythm, to the song itself that the strength—and perhaps the limit—of the Stones lies (but who cares, if the results are what they are, right?). The CD is worth five considering what it contains, but three overall (in my opinion; I'm glad to know that you like it more). To better orient yourself and save some money, I always recommend the compilation London Years (3 CDs) which gathers the 45s, the format I consider most suitable for such an impetuous and instinctive band, pertaining to those few years the Stones took to make rock history with an impressive barrage of sensational singles. Anyway, the person who wrote the review is very knowledgeable and did an excellent job.

I really like it a lot; it's an album very "distinct" in their discography, but I find it very interesting and I see that many people who don't appreciate the rest of PJ's work like it too. The CD case is amazing; you know the trick where you open it all the way and look at it from a distance? Definitely worth trying. (The thing, however, doesn't work with the recently reprinted edition by some careless person who ruined it.)