asterics

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  • Here since 13 november 2021
[1970]

In the scent of Canterbury, that is: when jazz_rock in England was becoming skewed, naïve, with little.
[1966]

Norman Dolph's acetate, Scepter Studios, New York City NY, April 1966. That is, the rougher and noisier version of the rough and noisy underground velvet.
[1975]

Small jazzpop-indefinable candies from the Nippojappo Seventies