asterics

DeRank : 8,29 • DeAge™ : 1358 days

  • Contact
  • Here since 13 november 2021
[1975]

Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [3]
[1974]

Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [2]
[1977]

Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [4]
[1973]

Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [1]
[1977]

Nocturnal snippets, cold and sharp, in neon-lit Chinatown. Perhaps the best of Italic postrock_Gnùueiv.
[1969]

A record that smells of breezes, of cotton clothes, of fair scents, of sage, of nepitella, of rosemary, of March fogs, of pecorino cheeses.
[1973]

The graceful, electric dream of a butterfly.
A revitalizing blend of sweet, tangy, colorful fruits.
A magical mix of jazz_fusion, funk, bossa nova.
[1978]

The sweet sway of the dream, of velvet in the pavilions.
Typically Obscure Records.
Henri Texier: Varech
Vinile I have it
[1977]

Therefore, it's like stirring the cauldron of the world with a double bass.
[1982]

Flashes of alien dub-funk, from a well-oiled trio mirabilis. Unrepeatable.
[1983]

After the band had already dissolved, Sylvian and company pulled this double live out of the hat, perhaps their best album. A gem that sounds so Eighties!
[1967]

Icastically typical, immensely fresh Sixties masterpiece, the surrealist pink cushion.
Anchovies in wonderland, psychedelic, airy trinkets.
[1982]

Minimal songs, like mottled pearls to be discovered at the bottom of the bottom of the bottom.
Songs for a world that will never be.
[1966]

Poland, '60s.

Cinematic, disheveled, sleepless.
Perfect.
[1971]

Viscous, pitch-black, shining, stormy. Indispensable.
Love: Da Capo
Vinile I have it
[1967]

Los Angeles, unruly and baroque psychedelia: two Sixties gems. Garage rockisms, long suites. A polished yet unruly record together.
Love: Forever Changes
Vinile I have it
[1967]

Los Angeles, unruly and baroque psychedelia: two Sixties gems.
Captivating orchestral baroque, flamenco, folk-rocking.
A typical desert island record.
[1977]

A solitary avant-garde, in four acts.
Pictures made and unmade in a dreamlike state.
A truly unique record.
A perfect mixture of blood and sweat, of rage, of festivity. A whole life in a record.
[1976]

A strange, unpredictable convergence of worlds. A handful of sad, sublime songs.
[1967]

Pearls Before Swine: the strange, skewed, restless, weird-folk-tinged world of T. Rapp. Unidentifiable objects. (1)
[1968]

Pearls Before Swine: the strange, skewed, restless, weird-folk-acidic world of T. Rapp. Unidentifiable objects. (2)
[1981]

The music of the penguin orchestra, that is perfection. Mysterious, majestic, yet so spontaneous.
Second part: lightness, insubstantial folklore.
[1976]

The music of the penguin orchestra, that is perfection. Mysterious, proud, yet so spontaneous.
First part: rhubarb and honey.
[1984]

The music of the penguin orchestra, that is perfection. Mysterious, haughty yet so spontaneous.
Third part: in a precarious balance, dreaming of home.
[1987]

The music of the penguin orchestra, that is perfection. Mysterious, proud yet so spontaneous.
Fourth part: total carefreeness and melancholy, like when the holidays come to an end.
[1993]

The music of the penguin orchestra, that is perfection. Mysterious, haughty yet so spontaneous.
Last part: the sailing of ships to who knows where, the vague distant constellations.
[1971]

Plain, unembellished, sincere, salty.
Piero Ciampi is Livorno, and vice versa.
[1973]

A Charybdis of feelings.
A slosh of the soul.
Portishead: Dummy
Vinile I have it
[1994]

Bristol_sound a.k.a. how to draw muffled night scenes, suspended atmospheres, retro enchantments, ink soundscapes.
[1970]

In the scent of Canterbury, that is: when jazz_rock in England was becoming skewed, naïve, with little.
[1966]

Norman Dolph's acetate, Scepter Studios, New York City NY, April 1966. That is, the rougher and noisier version of the rough and noisy underground velvet.
[1975]

Small jazzpop-indefinable candies from the Nippojappo Seventies