asterics

DeRank : 8,29
DeAge™ : 1589 days • Here since 13 november 2021
21 jul 23
[1975]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [3]
21 jul 23
[1974]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [2]
21 jul 23
[1977]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [4]
21 jul 23
[1973]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [1]
20 jul 23
[1977]
Nocturnal snippets, cold and sharp, in neon-lit Chinatown. Perhaps the best of Italic postrock_Gnùueiv.
29 sep 23
[1969]
A record that smells of breezes, of cotton clothes, of fair scents, of sage, of nepitella, of rosemary, of March fogs, of pecorino cheeses.
23 jul 23
[1973]
The graceful, electric dream of a butterfly.
A revitalizing blend of sweet, tangy, colorful fruits.
A magical mix of jazz_fusion, funk, bossa nova.
21 jul 23
[1978]
The sweet sway of the dream, of velvet in the pavilions.
Typically Obscure Records.
Henri Texier: Varech
Vinile I have it
26 sep 23
[1977]
Therefore, it's like stirring the cauldron of the world with a double bass.
1 nov 23
[1982]
Flashes of alien dub-funk, from a well-oiled trio mirabilis. Unrepeatable.
24 jul 23
[1983]
After the band had already dissolved, Sylvian and company pulled this double live out of the hat, perhaps their best album. A gem that sounds so Eighties!
28 sep 23
[1967]
Icastically typical, immensely fresh Sixties masterpiece, the surrealist pink cushion.
Anchovies in wonderland, psychedelic, airy trinkets.
6 jul 23
[1982]
Minimal songs, like mottled pearls to be discovered at the bottom of the bottom of the bottom.
Songs for a world that will never be.
5 jul 23
[1966]
Poland, '60s.
Cinematic, disheveled, sleepless.
Perfect.
28 sep 23
[1971]
Viscous, pitch-black, shining, stormy. Indispensable.
Love: Da Capo
Vinile I have it
29 sep 23
[1967]
Los Angeles, unruly and baroque psychedelia: two Sixties gems. Garage rockisms, long suites. A polished yet unruly record together.
Love: Forever Changes
Vinile I have it
29 sep 23
[1967]
Los Angeles, unruly and baroque psychedelia: two Sixties gems.
Captivating orchestral baroque, flamenco, folk-rocking.
A typical desert island record.
14 jul 23
[1977]
A solitary avant-garde, in four acts.
Pictures made and unmade in a dreamlike state.
A truly unique record.
7 aug 23
A perfect mixture of blood and sweat, of rage, of festivity. A whole life in a record.
1 nov 23
[1976]
A strange, unpredictable convergence of worlds. A handful of sad, sublime songs.
15 oct 23
[1967]
Pearls Before Swine: the strange, skewed, restless, weird-folk-tinged world of T. Rapp. Unidentifiable objects. (1)
15 oct 23
[1968]
Pearls Before Swine: the strange, skewed, restless, weird-folk-acidic world of T. Rapp. Unidentifiable objects. (2)
10 jul 23
[1981]
The music of the penguin orchestra, that is perfection. Mysterious, majestic, yet so spontaneous.
Second part: lightness, insubstantial folklore.
8 jul 23
[1976]
The music of the penguin orchestra, that is perfection. Mysterious, proud, yet so spontaneous.
First part: rhubarb and honey.
7 aug 23
[1984]
The music of the penguin orchestra, that is perfection. Mysterious, haughty yet so spontaneous.
Third part: in a precarious balance, dreaming of home.
15 jul 23
[1987]
The music of the penguin orchestra, that is perfection. Mysterious, proud yet so spontaneous.
Fourth part: total carefreeness and melancholy, like when the holidays come to an end.
17 jul 23
[1993]
The music of the penguin orchestra, that is perfection. Mysterious, haughty yet so spontaneous.
Last part: the sailing of ships to who knows where, the vague distant constellations.
22 jul 23
[1971]
Plain, unembellished, sincere, salty.
Piero Ciampi is Livorno, and vice versa.
28 sep 23
[1973]
A Charybdis of feelings.
A slosh of the soul.
Portishead: Dummy
Vinile I have it
17 jul 23
[1994]
Bristol_sound a.k.a. how to draw muffled night scenes, suspended atmospheres, retro enchantments, ink soundscapes.
5 jul 23
[1970]
In the scent of Canterbury, that is: when jazz_rock in England was becoming skewed, naïve, with little.
15 jul 23
[1966]
Norman Dolph's acetate, Scepter Studios, New York City NY, April 1966. That is, the rougher and noisier version of the rough and noisy underground velvet.
20 jul 23
[1975]
Small jazzpop-indefinable candies from the Nippojappo Seventies