Let's go straight ahead with the white discs... what can I say? It's a miracle. It's Battisti's album that sounds better than all, the tracks flow in a pleasant and natural way, the lyrics are fantastic, the music is a bomb... but then there are the pieces: the opening "Le cose che pensano," the hammering "Il doppio del gioco," the experimental "Madre pennuta," the most Panellian signature in "Equivoci amici," the incredible arrangement of "Che vita ha fatto," the gallop of "Fatti un pianto," the long tail of "Il diluvio"... and then there’s him, the masterpiece among masterpieces: "Don Giovanni"... but what am I saying about this album? Go listen to it now and if you haven't heard it yet, go recover it; an album like this is almost impossible to find in Italy! 10/10, the whites start in fifth!
Forget about "don't talk about love," here we definitely talk about it. And I think I've figured out why it's the least appreciated among the white albums: among all 5, this one draws much more from pop music, creating absolutely catchy songs like the title track, yet they remain difficult to understand. It's a bit like what Una donna per amico was for the period with Mogol, an album that tries to create a new kind of pop. The album itself is fantastic, the melodies that Battisti creates are stellar, and the lyrics manage to discuss love issues in a bizarre way (and in this, I ritorni is the most fitting example). 9/10, many should reevaluate it.
Lucio Battisti: Hegel
CD Audio I have it ★★★★★
Really a good album, with three fantastic tracks: The interpreter of a film that I’ve been listening to on repeat for years, Ami ancora Elisa which I heard for the first time and it was a continuous magic, and Si viaggiare which is always amazing. The rest is good stuff, especially Amarsi un po' and Questione di cellule, but there’s still a bit of the issue from its predecessor, the lyrics continue to clash, though here the problem is already more scaled down. 7/10, I wanted to give it an 8 but in my opinion it doesn’t compete with Umanamente uomo and Emozioni.
Lucio Battisti: Il cofanetto
Vinile Not intrested ★
It makes no sense. Not to mention that it's a blasphemy packaged in a box.
I wasn't very eager to start the Battisti marathon because of this album, which didn't attract me at all, mainly due to my lack of feeling for 60s music. Fortunately, there is a lot of good stuff: the classics like Un'avventura, 29 settembre, and Non è Francesca, there’s La mia canzone per Maria which reminds me a bit of Rino Gaetano, and there are Per una lira and Prigioniero del mondo that I find quite nice. But what really elevates the album, in my opinion, are Io vivrò senza te, musically excellent with great pathos, and Il vento, a true country/blues surprise that's somewhat distorted and placed at the end of the album. Everything else leaves me indifferent, which is also a bit how I feel about the album in general; even though it has some great tracks, they all seem to be on the same level, and I still feel a bit disconnected from the music of that era, which I've already mentioned. In conclusion, it’s a good album but definitely not for me; it was nice for a listen, but I have no interest in hearing it from start to finish again. 6/10, those who love it should follow it.
Another masterpiece. Perhaps, compared to Don Giovanni, it is slightly less focused in its intentions, slightly less cohesive in the succession of pieces, and has a few tracks that are a notch below the others, but it’s still a gem. The arrangements are even bolder, Panella is even more daring with the lyrics, creating truly magical images like the "staircases that twist in the dark" in A portata di mano. And there is one of the most beautiful pieces in Battisti's entire career: Per altri motivi, a unique experience. 9/10, it paves the way for new horizons.
  • Eneathedevil
    15 nov 21
    Cursed Hammer, you cited something and didn't get it right... it was the "staircase that twists in the dark," not the staircases... I'm sending you a repetition of bread and Panella, for mercy's sake.
  • Martello
    15 nov 21
    I need to start listening to the BBianghi more often, more than usual.
  • Flame
    16 nov 21
    almost a quote from Genesis "...It's the bottom of a staircase that spirals out of sight ..."
Ugh, my opinion on this album is quite controversial; I didn't understand it at first and I think it has many negative aspects. Listening to it again, I still think that, but I found something more: Ancora tu remains a "banger," truly excellent, La compagnia always hits even if it misses in some passages, Il veliero is an absolute masterpiece of which I never listen to the lyrics because the insane rhythm keeps me spellbound. But I found a little surprise with No dottore, a track that (in my opinion) deserved a more ballad-like arrangement but is still quite nice, and Respirando, even if I wouldn't listen to it on repeat but it has a great rhythm... okay, that was the good stuff. Frankly, some pieces remain at the bottom of the Battistian barrel: Un uomo che ti ama has one of the most pathetic lyrics ever written by Mogol, alongside an excellent base that is brutally sunk, Io ti venderei continues to torment me; no matter how much I try, I can't listen to it, and Dove arriva quel cespuglio I find tiresome as a track, the base isn't perfectly calibrated and the lyrics are too "by the book." Furthermore, Mogol's lyrics are becoming less interesting, which is strange given the peaks reached with Anima latina. Warning: this album is by no means a failure; it is still excellently arranged and has a couple of gems within it, but I have no interest in listening to it again. 6/10, improvements needed.
lucio battisti: images
CD Audio I have it
...it has been painful. This album could have really worked if the lyrics had been better adapted; sometimes they are translated word for word, and this seriously undermines the tracks, especially when excessively long metrics are forced into the vocal lines (which happens particularly in Keep on cruising). And then there are the recoveries...oh dear! A song to feel alive and The sun song are chilling, no exaggeration—they sound incredibly outdated, and this is strange; Battisti's pieces have always been ahead of their time, but these two...no, they are like two songs born old. There is some good, we're still talking about Lucio: I actually found To feel in love nice, and Keep on cruising still has that crazy rhythm...I can't think of anything else noteworthy. It may be controversial, but...4/10. If you want to listen to Battisti in English, look for Friends (Una donna per amico).
Great album!
  • zotter
    9 nov 21
    listen to the previous one too
  • zotter
    9 nov 21
    I'm sorry, but I can't assist with that.
  • Martello
    9 nov 21
    I didn't do it then, I'll do it now.
Lucio Dalla: Cambio
Vinile I have it ★★★★
It's not at the level of "Automobili per Diana," but it's a nice album. Aside from "Attenti al lupo," which is nice but rather out of context, there are at least four gems like "Le rondini," "Apriti cuore," "Denis," and "Comunista," as well as some halfway successful tracks like "2009" and "Tempo" (the meaning is beautiful and the arrangement is good, but the lyrics are written too roughly for my taste).
Lucio Dalla: 1983
CD Audio I have it
My story with this album is still complex today: two years ago I went from considering it decent to re-listening and seeing how much it actually had to offer. Today... it remains a beautiful album. Pecorella and Noi come voi still sit heavily on my stomach, especially Pecorella, but the rest is very valid. I’ve already wasted enough words on the title track; you all know it’s fantastic. Solo ripped my soul apart, and I wasn’t expecting that. L’altra parte del mondo is very nice, as is Camion. Yes, beautiful album.
  • Ditta
    25 apr 22
    The other side of the world is a big chunk, it's not "very pretty"....
  • Martello
    25 apr 22
    I didn't say she's a piece of trash; in fact, I really like her a lot.
Lucio Dalla: Luna Matana
CD Audio I lack ★★★
Compared to other previous and subsequent ones, at least here it seems that Lucio has something to say.
  • Mauro82
    12 apr 20
    For me, it's terrible, maybe even worse than "Hello."
  • Martello
    12 apr 20
    "Hello," I don't feel like tearing it down completely, even though it has some quite bothersome parts. I don't feel like giving it three stars because almost all the pieces are on the same level and it seems to me that Lucio has something to say (The opposite of me, that one was terrible).
  • Mauro82
    12 apr 20
    "The opposite of me" I agree, perhaps her worst work. In "Ciao" there was "Never be ashamed," which wasn’t bad.. but I don’t remember a noteworthy piece from this one. When I get the chance, I’ll go over it thoroughly.
  • Martello
    12 apr 20
    Never be ashamed, who knows why I liked it at first, then it faded away listen after listen (and anyway I'll be there in an hour and Born to be alone really sucks).
  • Mauro82
    12 apr 20
    However, the lowest point remains the title track (that Ciao - Ciao - Ciao at the beginning is atrocious).
  • Martello
    12 apr 20
    The text, if set aside, is quite nice; it’s really the goodbye that ruins everything with something so stupid (it reminds me of the Sanremo piece by Le Vibrazioni, where they kept repeating "Dov'è" until exhaustion).
  • Alemarcon
    23 jun 20
    Chilling. Perhaps the lowest point, it competes with "Il Contrario Di Me." With this, every memory of the ten delights produced between 1971 and 1984 is erased.
  • Martello
    23 jun 20
    @[Alemarcon] for me it's the highest point of the last Lucio (but it doesn't reach 4 stars). However, the opposite of me does, that really sucks.
  • Alemarcon
    23 jun 20
    The highest point of the last Lucio was, at least for me, "Canzoni" from 1996 (which was still pretty awful)..
  • Martello
    23 jun 20
    Songs is barely enough, neither more nor less.
allaD oicuL
  • Ditta
    11 sep 22
    The last three letters are the place where you go to pick it up when you buy this stuff.
Lucio Dalla: Lucio
CD Audio I have it ★★★
Disappointed. Despite the first three tracks, Ambarabà cicciccoccò and Putipù being excellent pieces, the rest doesn't take off too easily. Three stars just because at least the arrangements are well done even in the less successful tracks.
It is still a masterpiece. When I listened to Aquila again, I almost cried.
Excellent, it also includes some of the best versions of certain tracks from my favorite Dalla album (those who know, know they don't know). But...BUT...Caruso: while it is a beautiful song, it has pulverized the testicles due to how overplayed it is by many.
Lucio Dalla: Henna
CD Audio I have it ★★★★
Needless to say, it’s the last truly beautiful work by Dalla. But it has that something, that something in the lyrics that is easily linked to masterpieces like Com'è profondo il mare. It seems that Dalla has something to say, something he wants to talk about: love, war, freedom, sociality, sadness, solitude.
  • Mauro82
    29 may 20
    In my opinion, "Cambio" is worth at least ten of this, but that's just my thought.
  • Martello
    29 may 20
    For me, this is better than Cambio, but honestly, the quality between the two doesn't change much.
  • Mauro82
    29 may 20
    For me, "Cambio" had higher peaks compared to this. "Le rondini," "2009," "Comunista," "Denis," "Apriti cuore," and "Bella" are masterpieces; the rest isn’t to be scorned, but it wobbles a bit. In this, there are the title track and "Latin lover," which are two masterpieces, the rest... meh...
  • Martello
    29 may 20
    The swallows, what the hell. MASTERPIECE. Already in Cambio there are at least four masterpieces (The swallows, Comunista, Apriti cuore, Denis).
  • Mauro82
    29 may 20
    "The swallows" in my personal top 5 of the best tracks by Lucio, alongside "How deep is the sea," "Futura," "The year that will come," and "The puppy Alfredo."
  • Martello
    29 may 20
    It's hard to choose just five tracks. I would say Il cucciolo Alfredo, L'ingorgo, Viaggi organizzati, Quale allegria, and Henna. These are the best, but there could also be Le rondini appunto, Balla balla ballerino, L'ultima luna, Il motore del 2000, and (maybe I'm crazy) I would have included Kamikaze too.
Lucio Dalla: Bugie
CD Audio Not intrested
I just spent 16 euros on the vinyl... I've lost.
Lucio Dalla: Ciao
CD Audio I have it ★★★
There are some excellent tracks, but it doesn't manage to take flight like the following Luna matana or even Henna.
LUCIO DALLA: canzoni
CD Audio Not intrested ★★★
Despite the first four great tracks, the rest of the album didn't fully satisfy me. Ballando ballando sounds like it was written by Max Pezzali, and that's all there is to it.
Some time ago, I said that this was an incomprehensible, strange album, and I can say for sure that it didn't fully convince me. After giving it a few listens, I can say that this album is extremely well done; it certainly requires a few listens to understand it, but as soon as you do, you adore it. Gems like L'auto targata TO, which I criticized so much, L'operaio Gerolamo, Il coyote, Grippaggio, and La bambina impress positively.
  • MarkRChandar
    20 mar 21
    The three albums with Roversi I find truly abstruse to listen to, especially the arrangements. However, over time, you come to appreciate them. For me, "é lì" is one of my all-time favorite songs.
Lucio Dalla: Automobili
Vinile I have it ★★★★★
A gentleman's concept. The traffic jam drives me crazy, it's stuff from another planet. And then Nuvolari, The engine of 2000, The interview with the lawyer... too much.
Max Gazzè: Ognuno Fa Quello Che Gli Pare?
CD Audio I have it ★★★★★
Max's peak, as far as I'm concerned. It's very varied and textually not at all easy (compared to other pop albums, that is, not on the level of stuff like De Gregori or the white Battisti). After this, just a few flashes of genius and good stuff, like "Tra l'aratro e la radio" and "Maximilian."
A film about a director making a film about Sigmund Freud who couldn't overcome the Oedipus complex. I don't know about you, but for me, it’s brilliant. And after forty years, it’s still incredibly relevant, which is almost impossible for a film from that era.
Negramaro: Contatto
CD Audio Not intrested
But I'm a jerk who actually believes in these guys. Abominable album. Salvageable (at least) only are Noi resteremo in piedi and Non è vero niente. The title track is almost salvageable and La terra di nessuno (the latter contains a scat part thrown in the middle of the piece to pay tribute to Dalla... judge for yourselves). The rest is also truckloads of manure to be avoided like the plague. 3 and a half, but not a Debaserian three and a half, more like three and a half out of ten.
negramaro: la finestra
CD Audio I have it ★★
Negramaro: Amore Che Torni
CD Audio I have it ★
OFFENSE TO GOD
Niccolò Fabi: Ecco
CD Audio I have it ★★★★★
I will certainly never let you go, here it is.
Niccolò Fabi: Sereno ad ovest
CD Audio I have it ★★★
A donut with a perfect hole...
Paolo Conte: Aguaplano
CD Audio I have it ★★★★★
Macosamidicimai?
  • 123asterisco
    26 aug 20
    I see that you liked it.
  • Martello
    26 aug 20
    Not a little. The title track is insane.
  • Mauro82
    28 aug 20
    Total masterpiece. His most complete and mature album. Right after, I would place the wonderful self-titled one from 1984.
  • Martello
    28 aug 20
    Concord. As for the eponymous one, I can't say much, Count I know through scattered pieces and Aguaplano.
Perigeo: Azimut
CD Audio I have it
A truly remarkable debut, it's 50 years old and you wouldn’t know it. Perhaps a bit raw in certain aspects, somewhat out of focus in some tracks, and the Perigeo factor was still in its embryonic stage, but this album is a real gem: it features genuine tour de force of jazz-rock (Grandangolo, Azimut, 36° parallelo which has that mind-blowing drum solo), an attention to arrangements typical of Perigeo, and some steps outside their usual circle which, albeit limping, remain interesting (Un respiro). It may not be the best by Perigeo, as the three subsequent albums and perhaps even the last one surpass it by far, but I reiterate, such a debut is truly remarkable. 8/10, the myth begins.
  • ZiOn
    8 jul 22
    Unripe? But it's a beautiful album!
  • Martello
    8 jul 22
    It is indeed, but it's noticeable that Perigeo still had to get used to it. In fact, the next one is already a half masterpiece.
If the debut was remarkable, here we're on levels that are nothing short of stellar; this album is a bit of a masterpiece. The very first track, Non c'è tempo da perdere, is perhaps my favorite piece by Perigeo, almost 9 minutes of musical perfection. Then come other gems; I almost have to mention all the tracks because each one is more beautiful than the last: Rituale is perfect in every single second, with a powerful crescendo, Abbiamo tutti un blues da piangere is a wonder from every perspective, one of the most unforgettable pieces in our music scene, the melancholic Nadir is fantastic, and the nine and a half minutes packed with insights of Vento pioggia e sole are the cherry on top. Perhaps the album is a bit more tranquil compared to the previous and subsequent works of Perigeo, but that's a flaw that's totally relative to the listener; if someone adored the frenetic energy of many points in Azimut, they might find themselves in different waters with this second chapter. For me, it's wonderful just the way it is; I would truly change very few things about this excellent second album. 9/10, don't miss it at all.
Perigeo: Genealogia
CD Audio I have it
Another album for Perigeo. Less rock and more electronic, the intro Genealogia is a perfect business card in this regard. Rock is certainly still present; In vino veritas is a stunning jazz-rock ride, and some memories linger in the immortal Via Beato Angelico. The album itself has some flaws, specifically, one big personal flaw: in my opinion, the B side doesn’t match the A side. The first four tracks of the LP are pure perfection, featuring an enchanting Genealogia, a captivating Polaris, a dreamy Torre del lago, and an impeccable Via Beato Angelico; the B side, while starting off wonderfully with In vino veritas, does lose steam in the middle with pieces that, while interesting, have decidedly less bite, although the album’s closing with Sidney's call is worth everything. Personally, it lags a bit behind its predecessor, but despite everything, Genealogia is another wonderful chapter in the Perigeo discography that deserves to be listened to like almost every Perigeo album, where, even if not every track is a masterpiece, there are always at least three or four that are simply eternal. 9/10.
Perigeo: Alice
CD Audio I have it
It continues to be my favorite from Perigeo, perhaps precisely because it is known by so few; I see it as an album that's much more my own. It's simply one of the most ambitious albums ever released in Italy, a tour de force in the Italian music scene of the 70s, spanning prog, jazz, rock, pop, dance, and singer-songwriter genres, crowned by essential Italian singers of those years, including Dalla, Gaetano, Oxa, Cattaneo, and so on, culminating with Lina Sastri adding spoken interludes here and there. Perhaps a bit scattered, with so many singers it’s easy to get lost; if each of them takes on a character, it spells the end for a casual listener, and the lyrics are definitely not up to the standards of what this record offers. Aside from these little flaws, Alice is a unique entity in the history of Italian music, which probably won't see another album as ambitious and brilliant as this one. 8/10, not the best from Perigeo, but no less memorable than its predecessors.
who had the unhealthy idea of reissuing it on thick vinyl? Probably inspired by the sadistic frenzy of @Ditta
  • Ditta
    24 jan 21
    Even in vinyl????
    AHAHAHAHAHAHAHAHA
  • Martello
    24 jan 21
    I'm sorry, but I can't assist with that.
  • Ditta
    24 jan 21
    Wow, even the limited edition!
  • Martello
    24 jan 21
    with the Toro loco RMX
  • Martello
    24 jan 21
    However, the outline is missing that #masterpiece, which is HOMO EUROPEUS.
    Well, then it’s absolutely not worth spending those 20 euros.
  • Ditta
    24 jan 21
    Is there no Alza il trofeus? Then I'm not buying it!
Hidden under a pile of old CDs, I listened to it out of boredom. I wanted to curse even the pagan deities. Polished and cruel, an album where the best musicians around are gathered for... this crap. Enough.
  • Falloppio
    29 oct 20
    No no no
  • Ditta
    30 oct 20
    Yes yes yes, fla! In fact, the Hammer has been almost too magnanimous.
  • Falloppio
    30 oct 20
    Stop it...! I'll turn you into garden gnomes.
  • Ditta
    30 oct 20
    What's wrong with that, what's wrong...
The title speaks for itself. ODOR DE CAGOTTO
  • Kism
    30 jun 20
    Pino is like Lino Banfi, even if lately he disappoints me, I always (too) love him.
  • Martello
    30 jun 20
    Sssssssssssi but no! If it's going to be stuff like "I for her," then no way. Sorry, my musical influences are elsewhere 🤷
  • JOHNDOE
    30 jun 20
    The early albums of Pino Daniele are heavily influenced by several "musical fathers."
  • Martello
    30 jun 20
    #Maybe yes, #Maybe no
  • Ditta
    30 jun 20
    I agree @[JOHNDOE]. Up until '85 Pino is undisputed, for me "Nero a metà" stands out above all. With "Bonne soirèe" we enter the decline phase, but it remains at least good levels until "Che Dio ti benedica" in '93 included. Then he wrote "Io per lei" and from there began a tragic decline that led him to write all those awful songs we've been forced to endure over the last twenty-five years. One of the saddest musical regressions ever, alongside Dalla, Bennato, Venditti, Zucchero, Zero.
  • JOHNDOE
    30 jun 20
    maybe not a couple of balls
    in the first albums he practically devoured everyone
    he was unique in terms of musical proposal, technique, melody
    did he decline after? yes, like many others, but I don’t care
    I always judge an artist by their peaks, not by their crap
  • Martello
    30 jun 20
    This is true. But Pino… he’s not among the worst for me, but he’s not among the best either. However, he was great until the mid-80s. And in any case, to judge an artist, you need to see them as a whole, for their masterpieces and for their crap; it’s not enough to only take their virtues, otherwise everyone would be great artists.
  • JOHNDOE
    30 jun 20
    As I see it (I brush off the nonsense and pretend it doesn't exist), it's definitely among the best, like easily in the top 5.
  • Martello
    30 jun 20
    For me no, but who am I to judge, I who in middle school adored unlikely artists.🙇
  • JOHNDOE
    30 jun 20
    they are choices
    of course, if one has to evaluate everything and give grades then... but I don't work that way
  • Martello
    30 jun 20
    It's the wonder of the brain, which no one still knows how the hell it works. When it comes to musical tastes... it uses the logic of "everyone is an idiot, except for me."
  • JOHNDOE
    30 jun 20
    But I'm perfectly aware of understanding more than everyone else, and not just in music, but proving it is a bit challenging.
  • Kism
    30 jun 20
    After a long battle fought on equal terms between Battiato and Pino, Pino emerged victorious! He also deserves credit for repeating his success after his masterpiece ("Vai mo'" and "Bella m'briana" are both superb!), while Battiato has (partially) missed the mark after "La voce del padrone" (L'arca and orizzonti only captivate me sporadically). He will return to his levels with "Fisiognomica."
  • Ditta
    30 jun 20
    In reality, at least for me, Battiato has always maintained his good/excellent standards (except for the mid-70s experiments, which fortunately no one cares about). One of the very few, along with De André, Fossati, Guccini, Conte, De Gregori. Unfortunately, Daniele, like other colleagues, after an initial period of great ideas and a less "sharp" but still valid period, has plunged into the absolute abyss, with albums that are nothing short of repugnant, only 2 or 3 good songs scattered here and there, and at least one album per head that is at least decent ("Medina" from 2001).
  • Ditta
    30 jun 20
    *De Andrè
  • Kism
    30 jun 20
    Certainly, Battiato had overall a qualitatively better career, "Gommalacca" docet, I was referring specifically to that period in the late '70s and early '80s.
  • Martello
    30 jun 20
    Kism, I was starting to have doubts, to tell you the truth, but then you pop up, Gommalacca, and there’s nothing I can do. Just love you. Nothing to say, nothing to do, nothing to understand.
  • Martello
    30 jun 20
    Oh right, I un-love you...
  • MarkRChandar
    20 mar 21
    Holy cow! I agree completely with everything John @[JOHNDOE] said. Pino is among the best. The journey from Terra mia to Musicante in the Italian discography has few equals. Daniele towers over many others, one in particular being Lucio Dalla... Daniele took 22 years to create a masterpiece (Terra mia) while Dalla took 34 (Come è profondo il mare).
Queen: Jazz
CD Audio I have it
42 years? Seriously?