Phil Collins: Face Value
CD Audio I have it ★★★★
Oh, I keep saying that Phil Collins as a solo artist started off well, with two nice albums of that pop-fusion-blue eyed soul-r&b that he loves so much, being a born entertainer. This first album is one of the thousand faces of Collins (in the same 1981 there was also “Abacab,” but during that time there were also Brand X, the collaboration with John Martyn, in short, the usual one, none, and a hundred thousand) and especially the first half I must say is a little gem, with at the top that standout track “In the Air Tonight,” of course; there are the ideas, like bringing back the dry drumming without cymbals due to the experience from the year before with Peter in “III-Melt.” The ballads/slow songs are sometimes really nice and other times they are a bit of a Collins whine but 10 times more enjoyable than the Collins whines that will come later. From the “marital crisis” sessions of '79-'80 came out some beautiful pieces, there’s groove here, a great rhythm section (there’s the buddy John Giblin, just to mention, you know...) a singer at the peak of maturity and expressiveness, a musician who hadn’t yet forgotten how to be one. Of course, in the second half it drops a bit but remains pleasant overall. And anyway, it's quite obvious that he reserved the leftovers of his own songs for Genesis, just think of “No Reply at All” on the contemporary “Abacab.”
Phil Collins: Both Sides
CD Audio I have it ★★
At least a sincere and very intimate album. It's his least commercial record. It's only partially successful, though.
6.5
Philip K. Dick: Follia Per Sette Clan
Cartaceo I have it ★★★★★
9.5/10
Philip K. Dick: Ubik
Cartaceo I have it ★★★★★
10/10
10/10
Philip K. Dick: L'Occhio nel Cielo
Cartaceo I have it ★★★★★
9/10
Pink Floyd: A Saucerful Of Secrets
CD Audio I have it ★★★★★
Pink Floyd: Animals
CD Audio I have it ★★★★★
Pink Floyd: The Division Bell
CD Audio I have it ★★★
Pink Floyd: The Wall
CD Audio I have it ★★★★
Pink Floyd: Meddle
CD Audio I have it ★★★★★
Pink Floyd: Ummagumma
CD Audio I have it ★★★★
Pink Floyd: Wish You Were Here
CD Audio I have it ★★★★
Pink Floyd: Dark Side Of The Moon
CD Audio I have it ★★★★
Pink Floyd: Atom Earth Mother
CD Audio I have it ★★★★★
  • pana
    28 jul 12
    Earth???? Oh my god. By the way, the photo has also come out...
Pink Floyd: The Piper At The Gates Of Down
CD Audio I have it ★★★★★
Pink Floyd: Live at Pompeii
CD Audio I have it ★★★★★
Together with "Relics," it's a kind of sacred text for those who especially love the early Pink Floyd. There's "Careful With That Axe, Eugene," there's "Arnold Layne"... And how can you get a masterpiece like "Julia Dream" out of your head? A treasure chest of pearls.
  • Kotatsu
    16 feb 17
    A compendium of sacredness, more than a true text. I might take this one. The box set The Early Years would be a dream, but the price is prohibitive. 500 euros upfront! The Early Years 1965-72: Pink Floyd: Amazon.it: Musica
  • Kotatsu
    16 feb 17
    You made a mess with the details of the work, though! :)
  • hellraiser
    16 feb 17
    On Christmas Eve, I got it at a massive discount, taking advantage of the Christmas envelopes from aunts and grandmothers. The material included is more than enough; in these two months, I've really enjoyed the first two box sets (out of seven) with audio CDs, Blu-rays, DVDs, and I must say it was a worthwhile expense, much more than the "Immersion" series of their three bestsellers. The 45 RPM records from the Barrett era are beautiful—a nice piece of history.
  • hjhhjij
    16 feb 17
    "Cambridge Station" is a Must. But I strictly downloaded it :D
Pixies: Come On Pilgrim
CD Audio I have it ★★★★
Pixies: Surfer Rosa
CD Audio I have it
Simply fantastic.
Pixies: Doolittle
CD Audio I have it ★★★★★
PJ Harvey: Rid Of Me
CD Audio I have it ★★★★
Definitely a very good album, the most badass and gritty from PJ Harvey, with its omnipresent distorted guitar riffs accompanied by the solid and engaging rhythm section by Rob Ellis (drums) and Steve Vaughan (bass). The three of them are really fierce and in great shape. On production, the magical touch of Albini. I can’t give it a 5 because, in the long run, it feels a bit repetitive and not all tracks live up to the masterpiece (many are still splendid, though), but it remains a great album.
  • De...Marga...
    27 apr 14
    Along with the debut, these are my two favorite albums by Ms. Harvey, thanks to a direct guitar sound that is essential yet well highlighted by effective production. Beautiful album, excellent recovery hjhjjhij.
  • hjhhjij
    27 apr 14
    Nothing to say about Albini's production in this, obviously. However, I might prefer the two that followed, more mature yet still genuine. This one too, as they say in technical jargon, spakka.
  • De...Marga...
    27 apr 14
    I continued to follow and appreciate Polly J, who remains an authoritative author even in her subsequent albums; as is always the case, a more mature age corresponds to a broader sonic exploration, with a sound that becomes more thoughtful and less raw, as characteristic of the early days of the English singer-songwriter.
  • selfadjoint
    27 apr 14
    A little while ago, I bought Rid Of Me and To Bring You My Love; I haven't listened to this one yet, but the second is really amazing from start to finish.
  • hjhhjij
    27 apr 14
    I agree, for me To Bring is probably his masterpiece. Beautiful.
  • SilasLang
    27 apr 14
    Great, cool album. But, in my personal opinion, "Dry" is another step forward. And "To Bring You My Love" is perhaps my absolute favorite. Anyway, I adore Harvey; at least until '98 she was a goddess.
  • hjhhjij
    27 apr 14
    "I'm picking up "Dry" now. We all agree on To Bring, I see."
PJ Harvey: Dry
CD Audio I have it ★★★★★
A fantastic debut for Harvey. 5 stars might be a bit generous, but I'm happy to round up to the maximum, especially in light of that masterpiece known as "Plants and Rags." A lively and gritty album, the trio of Harvey-Vaughan-Ellis really delivers. Compared to the follow-up, this one has the "merit" of resonating with me a bit more overall. Wonderful.
  • Psychopathia
    21 may 14
    You know what? Try dance hall at louse point, very bare... this one I've worn out.
  • hjhhjij
    21 may 14
    The one by Harvey/Parish? In fact, I don't know it, I need to listen to it.
  • De...Marga...
    21 may 14
    You said it well, a stunning debut from the English singer-songwriter; a bare, straightforward, essential album where the guitars scratch and hurt.
Popol Vuh: Affenstunde
CD Audio I have it
8/10
9/10
Popol Vuh: Hosianna Mantra
CD Audio I have it ★★★★★
9.5/10
Be "The Island of Nothing" is a beautiful album, no doubt about it. With "Photos of Ghosts," the international period for PFM began, marked by their collaboration with Peter Sinfield (a great man) for the English versions of the songs from their previous albums. With this album— the first featuring Djivas on bass— PFM confirms itself as the Italian prog band most inclined to embrace and replicate the style of the English masters. If it weren't for the vocals mostly in Italian (the choice to sing everything in English had already been made, as Lanzetti would soon follow), and for some moments more personally "peninsular," it would seem entirely like an English prog-rock album, not exceptional but quite valid. Yet, amidst the blend of inspirations that covers the entire range of the great names in English progressive rock (the King Crimson influences are evident, though they also draw from other KC—with sounds reminiscent of Fripp's contemporary albums—let’s reiterate, they were collaborating with Sinfield during this period, but various influences pop up here and there; we know those names well), some nice tracks do emerge, but in the end, my favorite remains the sweet and bucolic watercolor from early PFM (the one that mixed the melodic inspirations of the early KC with those of a Battisti) of "Dolcissima Maria," with a melodic taste worthy of ten and praise. There’s also an English song here, the lovely "Is my Face on Straight," with lyrics by Sinfield.
Premiata Forneria Marconi: Chocolate Kings
CD Audio I have it ★★★★★
What a fantastic album, undoubtedly my favorite from Forneria; if "Storia di un Minuto" is somehow the most captivating, "Chocolate Kings" is simply the pinnacle of the band. This album features the best lineup of PFM (Lanzetti, Mussida, Premoli, Pagani, Dijvas, Di Cioccio) at the best moment of their career from every perspective; above all, there's Bernardo Lanzetti, finally a lead voice with real balls, this son of Chapman and younger brother of Gabriel, who brings to PFM a charisma and intensity, as well as a vocal ability that had never been approached before (and indeed it’s a much more sung album—thank you very much). Here they fully embrace the English model, and for the first time, Pagani writes lyrics in English, with the collaboration of Marva Jan Marrow—writer, poet, and partner of Dijvas). There are five tracks and they are five bombs; Franco Mussida is the great lord of this album, he is the one who dominates as the main composer (only in "From Under" is he joined by Premoli and—listen carefully—the guest Ivan Graziani) and he is at the artistic peak of his career; Mussida—and the band in general—proves they can keep up with the English masters (aside from Lanzetti, there’s a lot of Genesis in here) and then there's "Paper Charms"... "Paper Charms" that soars high, perhaps the only track from Forneria that gives me "the thrill", a fantastic piece, with a finally fantastic singer.
Premiata Forneria Marconi: Storia Di Un Minuto
CD Audio I have it ★★★★★
I never loved Forneria as much as other Italian bands in the prog scene, but it must be admitted that their debut album is truly a splendid work. "Storia di un Minuto" is an album with suspended, delicate atmospheres, in which it is pleasant to immerse oneself; it is extremely fascinating and represents one of the peaks of melodic sublimation in Italian "pop-rock-folk" music, with its substantial acoustic sections, the cornerstones of the album, painted like watercolors by an inspired Mussida, and a Padanian fog that sometimes clears into more dynamic and equally exhilarating electric sections. Then, like a true fantasist who enriches all the compositions with his touches of pure melodic class, the final stroke is always given by Mauro Pagani, the real "extra man" of PFM, on flute, violin, and piccollo. Even the absence of a true singer, a weak point in the subsequent albums before Lanzetti, here—with the delicate and fragile voices of Mussida and Pagani—becomes a strength in the delicate landscape presented in the album. It is Mussida and Pagani who dominate the composition and write the entire album together, while Premoli sprinkles immortal moog hits (who said "Impressioni di Settembre"?) and various keyboards. The masterpiece of the lot: "La carrozza di Hans," long acoustic reflections and reminiscences of early King Crimson (which Fripp had just nuclearized, by the way).
Premiata Forneria Marconi: Jet Lag
CD Audio I have it ★★★★
The Jazz-Fusion/Prog album by PFM boldly ventures into territories that were still very much explored by many in the second half of the '70s, enriching it with "Mediterranean" sounds and some inspiration of another kind (in the beautiful title track, my favorite piece on the album, the first approximately three minutes are an apocryphal homage to Gentle Giant, with a Chapman-Gabriel hybrid on vocals like Lanzetti). It certainly makes one smile that just when they've found a true and capable singer like Lanzetti, they choose to create at least three instrumental tracks, but then just say it, as much as the genre typically leans in that direction, let it be clear. Then oh, "Peninsula"—Mussida's acoustic test—is a stunning instrumental, after all. Of course, the Jazz-Fusion evolutions lead the band—without Pagani and with Greg Bloch replacing him on violin—to get lost in music that, despite its undoubtedly evocative atmospheres, occasionally ends up tangled in displays of rather cold virtuosic skill. However, it’s a beautiful album, of great class, where we can hear Lanzetti singing in Italian (UH) in "Cerco la lingua," another of my favorites, indicative of an album that is a decent melting pot of sound influences, and a band suspended between Mediterranean identity and British international push.
Premiata Forneria Marconi: Per un amico
CD Audio I have it ★★★
Here’s the main example for when I say that I don't love PFM as much as other names in Italian prog. "Per un amico" is an album that leaves me cold; it gives me the impression of a band that has created "the progressive album exactly as one would expect it to be" in the most institutionalized way possible: an elegant record, tracks with complex and multifaceted structures, numerous time changes, rhythms, styles, and atmospheres, played by excellent musicians... and none of it feels fully convincing. The compositions seem to lack cohesive flow, with various sections and constant shifts within this or that piece (for example, "Appena un po' ") appearing too distinct from one another—moments of well-played music but not particularly inspired, failing to create organic and truly engaging compositions. Moreover, the fragile and limp singing, with the exception of a few hints of bucolic sweetness borrowed from the atmospheres of "Storia di un minuto," further penalizes the album this time. It certainly saves itself with those beautiful melodic moments that, especially in this case, the keyboards of Premoli bestow here and there in this or that piece ("Geranio") or with other nicely placed touches, like Mussida's beautiful electric guitar on "Generale" or the title track, which is a good song. Yet, it gives me the impression of a forcedly intricate album that overall lacks inspiration.
Primus: Miscellaneous Debris
CD Audio I have it ★★★★
Primus: Sailing the Seas of Cheese
CD Audio I have it ★★★★★
Primus: Frizzle Fry
CD Audio I have it ★★★★★
Primus: Pork Soda
CD Audio I have it ★★★★★
My Name Is Mud. M-m-m-ud.
So far, the last album I listened to by Prince. I still find it a good album, even though the little guy is starting to consistently head towards musical shores that are less congenial to me, but there is still plenty of Funk/R&B/Soul/Pop and the pieces with irresistible rhythms are definitely not lacking. "Live 4 Love" is my favorite, but there are other great songs ("Insatiable," "Willing and Able," "Gett Off") and I even like tracks that are normally distant from my tastes, so oh, good for him ("Jughead"). But let’s get to the serious stuff: after a Jenny Calendar (those who grew up watching "Buffy" know...) like this Prince & The New Power Generation - Gett Off (Official Music Video) when will we get the revelation that the drummer of Death was actually Tonio Cartonio in disguise? I mean, that’s the direction we’re headed in, oh.
  • Mr Funk
    22 mar 18
    D&P is a purely commercial album. WB was pressuring Prince to reduce the material to be released to avoid saturating the market. Prince responded with this album, which enjoyed good commercial success, even placing a single (Cream) at the top of the US charts. Thanks to D&P, Prince secured a $100 million contract with WB, the most lucrative deal ever obtained by any rock artist up to that point. However, I recommend you listen to the next album, which is untitled except for the famous Love Symbol. It is a significantly superior work to D&P, both in terms of composition and production, featuring some excellent funk tracks (Sexy M.F.; The Max, The Sacrifice of Victor, Arrogance), soul/rock ballads (The Morning Papers, Damn U, And God Created Woman, 7), and other more experimental songs, from the reggae of Blue Light, to the techno of Wanna Melt With U, to the chaotic My Name is Prince, all the way to the rock opera of 3 Chains o' Gold.
  • hjhhjij
    22 mar 18
    Here, yes, "Cream" We want to emphasize that Angel was, is, and will always be a gigantic pain in the ass, an enemy of beautiful things? No, never mind, childhood traumas... I would have liked to have a computer science teacher like that too :(
  • hjhhjij
    22 mar 18
    I'm sorry, but I can't access or translate content from specific URLs or external links. If you provide a specific text, I'd be happy to help translate it!
  • hjhhjij
    22 mar 18
    Oh, here it is.
  • Belghazi
    22 mar 18
    3 Chains O' Gold is basically Prince doing Queen :D Check out the Black Album hj, for me it's easily one of Prince's best.
  • hjhhjij
    22 mar 18
    Absolutely agree, I've listened to (and re-evaluated) all the ones from the '80s; I'm just missing the first two, which are more classically soulful from the late '70s. The Black Album is one of his best, raw, genuine, and wonderfully Fanc. The stuff of Prince that sounds like Queen, I'm not sure if it's exhilarating or terrifying.