Stunning album, with the band making a significant leap in quality compared to their debut, which was not bad but still quite immature. As far as I'm concerned, it's among the best Hard Rock albums I've ever listened to, and even more so, I consider it one of those albums capable of surpassing the barriers of categorization and the boundaries of genres, an album appreciated beyond one's own "musical current" of belonging. Here, the Judas draw inspiration from this and that (a bit from the usual rock giants of the early '70s - Led/Purple and their ilk, a touch of the best Queen, the finest melodic refined pop/songwriting/electro-acoustic croonerism/a sprinkling of melodic ideas or musical concepts close to a certain "prog" taste of the more "romantic") but they have the merit of blending it into a concoction that is entirely their own, doing so with great inspiration in songwriting, eclecticism, and sophistication, as well as a masterful balance of aggression, melancholy, and dramatic flair. In doing so, they themselves throw collected (and often exaggeratedly misinterpreted) insights from a multitude of other bands from the following decade onward ("Tyrant," for example, is clearly a pre-cursor to Maiden, citing perhaps the most capable disciples, even in beautiful melodic, vocal, and guitar taste). "Victims of Changes" and "Epitaph" (written solely by Tipton - like the theatrical rock gem that is "The Ripper") are my favorites, but there's not a second wasted here.
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