In Bennato's new CD, the three unreleased tracks are typical of the old Edo renegade style: a nursery rhyme about love as the first radio single, the story of 20th-century Italy in the track that gives the album its title, and an attack on the music industry in a kind of undeclared cover of a John Cale & Lou Reed ballad that Bennato sings with a driving rhythm.
This album could have been a good opportunity to introduce the brilliant musicality of the singer-songwriter to young people who believe that Bennato is the one who sings about girls who have big dreams. Instead, it lacks some of the pieces that have made the history of Italian songwriting, and features two episodes from more recent albums that clash with the original poetics of the Neapolitan minstrel.
Unfortunately, his beautiful songs rearranged to make them seem more modern lose much of their musical magic (… where has the inimitable kazoo gone?) and the emotion it conveys is no longer the same. Perhaps hoping to hear the old Bennato in a new album is a dream, but, as he used to say, the only illusion is that of reality and reason… proof of this is also the latest CD, where he still fiddles with the same old pieces recanted by new sprouts of Italian music with a nice tribute album, as befits the exes!