Dmitri Dmitrievich Shostakovich (1906–1975) was a Soviet composer and pianist, author of a large body of symphonies, chamber music and piano works.

Composer of 15 symphonies and 15 string quartets; wrote the Thirteenth Symphony setting Evgenij Evtushenko's poem "Babij Yar" (a work that faced political controversy and censorship); composed the Seventh Symphony "Leningrad" inspired by the siege of Leningrad; his output includes significant piano cycles such as 24 Preludes. He lived and worked primarily in the Soviet Union and experienced official criticism and censorship during his career.

Four DeBaser reviews analyze Shostakovich works focusing on memory, death, and Soviet history. Key pieces discussed: Symphony No.13 'Babij Jar', Quartet No.15 Op.144, Symphony No.7 'Leningrad', and the 24 Preludes. Reviews mix historical context, personal reflection, and praise for performances.

For:Listeners of 20th-century classical music, students and researchers of Soviet-era arts, readers interested in music and political history.

 Thus was born Shostakovich’s Thirteenth Symphony, extreme bulwark against oblivion, hypocrisy, pain, the meeting between a relatively unknown poet attacked from all sides and the greatest Soviet composer, who had grown accustomed to attacks over a lifetime: “Most of my symphonies are tombstones.

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 Asking why, when sadness falls to the depths of the heart, like snow, it makes no noise, is a pointless exercise.

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 Shostakovich represents the avant-garde indeed.

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