Chicago-based three-piece notable for using two bass guitars and drums; debut album As Seen From Above was released in 1997 and is praised for its precise, composition-focused approach.

Debut album As Seen From Above (1997). The band's instrumentation prominently features two basses and drums; their music is commonly described as post-rock and compositionally driven.

The provided review praises Dianogah's 1997 debut As Seen From Above for its atypical lineup (two basses and drums) and precise, cerebral compositions. The record is described as concise, restrained in crescendos, and more akin to Slint than Mogwai or GYBE!. Vocals are considered avoidable; the pleasure lies in the interlocking bass arrangements.

For:Fans of post-rock and instrumental, composition-focused music who appreciate unusual instrumentation and restrained dynamics.

 1997, dazzling debut album for this atypical post-rock trio from Chicago, drums and two basses, but don\u0027t just imagine one bass playing the bass and the other trying to make up for the lack of guitars somehow; these are the two flattest sounding basses that exist, with no startling effects, delay, or missed guitarist antics.

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