For some, the arrival of the Descendents in the world of California hardcore was a true revolution. Well, maybe not to that extent, but certainly, it can be said that they brought a refreshing change to an environment previously dominated by the aggression of various bands like Black Flag and Circle Jerks.
The element that our guys, led by the then seventeen-year-olds Milo Aukerman (vocals) and Bill Stevenson (drums, later with the Flag), added to the typical HC sounds is almost their antithesis: melody. A melody that timidly outlines itself in the EP "Fat" from 1980 and openly manifests itself in this first full-length album of the following year, released by New Alliance, a label owned by Minutemen, and as inferred by the title, marking the start of a sabbatical period due to Milo’s (now a biochemist) academic commitments. From the beginning of "Myage" (one of many tracks in their repertoire ending with the suffix -age, who knows why?) it becomes clear that this is a unique band: a consistent bass line that is not cacophonic, Aukerman’s voice that prefers singing over screaming. Even the duration of the pieces extends a little, and the lyrics range from total disengagement to a proto idea of punk rock love songs. However, the jewel of the album arrives mid-way: it’s the wonderful "Catalina", punk emphasis tied inextricably to an exuberance that could still be defined as "beyond," beyond the boundaries of the genre, while "Bikeage" could easily be called a precursor of pop-tinged punk.
An enjoyable and captivating album, despite some lapses in tone ("I Wanna Be A Bear", "Marriage"). Recommended.
"Milo Goes To College wrote one of the most intense pages in the history of hardcore."
"‘Hope’ is an invitation to hold on, to patiently wait for the moment of redemption."
The album is a succession of true anthems, among the most genuine songs punk rock has ever produced.
'Hope' is a gem of immeasurable value, a truly historic anthem that rises above everything and everyone.