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[...] We start with this concept: that we know very little, almost nothing, about the voice... and the first track on the first side of a record that was released today, called "Singing the Voice," is called "Dipophonies, Tripophonies, Investigations" and... it\'s about using the ear like a microscope to extract scraps of sound or even divide scraps of sound to try to break the sound, enter into the sound, break it into two and three parts. How it works, in my opinion: the voice uh... here works as a vehicle that occasionally glances right and left, in... small chambers, and... these glances bounce like ping pong balls. These ping pong balls, which bounce with sympathy, can be controlled. Discover the review
[...] We start with this concept: that we know very little, almost nothing, about the voice... and the first track on the first side of a record that was released today, called "Singing the Voice," is called "Dipophonies, Tripophonies, Investigations" and... it\'s about using the ear like a microscope to extract scraps of sound or even divide scraps of sound to try to break the sound, enter into the sound, break it into two and three parts. How it works, in my opinion: the voice uh... here works as a vehicle that occasionally glances right and left, in... small chambers, and... these glances bounce like ping pong balls. These ping pong balls, which bounce with sympathy, can be controlled.
Stratos had, as many of you know, a malformation of the larynx, which would "split": it is this defect that brought fame to Stratos, who could produce 2, 3, or even 4 sounds simultaneously. Discover the review
Stratos had, as many of you know, a malformation of the larynx, which would "split": it is this defect that brought fame to Stratos, who could produce 2, 3, or even 4 sounds simultaneously.
THIS is the album that must be passed down to posterity, to let them know who the man who consecrated the voice as a "musical instrument" is. Discover the review
THIS is the album that must be passed down to posterity, to let them know who the man who consecrated the voice as a "musical instrument" is.
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