The 10 tracks on the album share common themes: they are all autobiographical pieces that discuss the relationship between man and man, and man and technology in the 21st century; themes of loneliness, alienation, racism, social distances, global warming, family conflicts, and the problems of life in modern society. All the songs relate to the concept of “who we are (as a species) and where we are going.” These are truly magnificent and poetic lyrics, masterfully interpreted by Courtney Swain; there's no need to go into detail: Swain's voice is stunning, and on “Land Animal” she delivers an absolutely intense and breathtaking performance; it's top-notch! Listen to them live: there are several on YouTube; the band has also released two full concerts, and you'll find the live versions of “Holy Ghost” and “Terror Bird.”

Musically, “Land Animal” differs from the band's previous works, where the songs had more homogeneous structures and developed into long pieces dominated by harmonic/melodic variations; “Land Animal” is instead more focused on groove (according to Bent Knee themselves) and the search for a concise and accessible form, making it more immediate than the earlier works, even though the music remains complex and layered, lending itself to different levels of interpretation.

Land Animal is a kaleidoscope of musical genres, sensations, and various influences that flow. more
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90% of her discography is made up of little trinkets, simplistic songs, but she has managed to place a few good tracks. Vocally PERFECT, with an amazing technique, she is unable to sing off-key… but that’s where it ends. I definitely prefer Mia Martini and Giuni Russo (and the latter even surpasses her in vocal technique). I repeat: this is a perfectly personal opinion. I wouldn’t know what score to give her; my 3 is more of a non-score. more
His art is intimately linked to my life. It has given me so much, and I feel it so present that it seems as if it has never left. We were born and raised just a few kilometers apart; I don’t know if this has helped me understand better, to fully resonate with the suggestions of his Music and lyrics... A multifaceted artist, never fixed on a single form/concept, continuously evolving, yet always placing the sacredness of earthly life and spiritual existence at the center—a musical quest that enhances those who have the pleasure and desire to delve into it. Dear Franco Battiato, we will meet again rolling through existential planes and life cycles. I am sure of it! more
For them, I could learn Finnish. more
The unforgettable debut album by Salamantra. more
Holy shit, what a voice, guys... more
Protoppunk more
Good job but cuckold. Too bad he doesn't know it. more
I agree with Marco's definition. They used their name to show that they're "Super Experts," and I find their first album overrated, which in reality isn't overrated at all; it sold poorly, for most it's definitely not the best, yet it still gets too much praise just because Barrett was involved and to be considered even more alternative. To me, it seems like a nice album, but in terms of song structure, like The Wall, I don’t see experimentation or long suites. more
An excellent yet underrated Brit-pop band, perhaps overshadowed by the success of their contemporaries Oasis, even though they remain (at least in my opinion) a step above the latter. Urban Hymns is a masterpiece for the genre. more
In the top 3 of the greatest Italian interpreters, her voice conveyed all the suffering and pain she endured. Treated like a rag, trampled on, discredited by anyone... but her songs remain. For me, 5 for life. more
The Father of Liberalism, but also an enigmatic character from Lost. more
Well, come on, it's decent... there are definitely worse things. Sneaky? Yes, but with style. There are several tracks that I remember and enjoy listening to, one above all is Angels. For me, it's more than just sufficient... more
Anyone who creates an album like "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" deserves a solid 5. Let's also add Hunky Dory, Low, Heroes, Aladdin Sane, Lodger... more
Today is 60 years old. Good presence from the '80s and '90s. Listenable and dignified. more
Their other best album along with the previous one. It has all the qualities of a "classic" rock album, and the band was in stunning form (well expressed by the subsequent live album). Musically/arrangement-wise, I find it a bit less edgy and dark than "Tyranny" (which I actually prefer by a hair), but here too, there's everything that characterizes rock'n roll at the Cult of the Blue Oyster: the sci-fi-horror lyrics that are one of their strong points, Bloom's vocals with that touch of theatricality to enhance those lyrics, the "expanded" rock'n roll of tracks like "Dominance and Submission," for example, the irresistible pop-rock drive of "Career of Evil," the wonderful rhythm section of the Bouchard Brothers, and of course a sequence of tracks that are all among the best of their career: "Subhuman," the rock ballad "Astronomy" (their most classic track from the "rock side" before the evergreen pop arrived in the next album to mark their career), and especially my favorite "Flaming Telepaths" (probably their greatest song after "7 Screaming Diz-Busters") with a greater presence of Lanier's keyboards and containing my favorite guitar solo by Buck Dharma. A truly great song. And a really great album. more
Evaporate! Damn. more
"Don't talk to me while I'm interrupting." quote. more
Rancid mortadella more
A second Oscar Drago is on the way. more