"The Godfather of Southern Rock" is a very important and controversial figure in American music. Born in '36, he started out with big names like Pete Seeger, Bob Dylan, and Leonard Cohen as a guitarist and violinist, before embarking on a glorious (at least in America) solo career, straddling country and Southern... more
Starting from the fact that this is a project between Igorrr and Mulk, there's not much else to say. more
You either like it, or you reject it. more
In the vast landscape of contemporary digital Hardcore, Angerfist is undoubtedly one of the most prominent names. Since his debut in 2000, he has managed to stand out from his fellow DJs in a remarkably short time, thanks to a multitude of releases of undeniable value. Moreover, the mask certainly adds to his theatricality. more
...it was my favorite album! ...that maybe someone, somewhere, is still listening to it... more
Mistreated by their fans for being too little thrash, this is once again an album of excellent quality. Tracks like "Electric Crown," "So Many Lies," "Let Go Of My World," and especially "Return To Serenity" testify to its level. (7.5) more
Still spot on, still an excellent heavy/thrash record. It’s always a pleasure to listen to it again, even if it’s not the peak of Testament's compositional prowess. "The Legacy" is one of their best tracks ever. (7.5) more
After the mediocre previous album, in the height of '77, Ian Anderson and his Jethro Tull come out with a true masterpiece; they shift direction once again, emphasizing the electro-acoustic Folk vein of the band and placing it at the center of their compositions. Thus, we find songs with new life, arranged splendidly, once again vibrant, emotional, alive, after the lifeless Too Old... A masterpiece of acoustic British Folk with sublime bursts of electricity. One of their best records. more
Indispensable more
I like to remember him for the furious brawl in August 1983, where he sustained serious head injuries and underwent delicate brain surgery. He recovered, and the Ramones' album the following year was titled "Too Tough To Die": Troppo Duro Per Morire... MAMA'S BOY... more
"It's great to be back in Barcelona tonight" is Joey's shout to greet the audience; right after, C.J. quickly counts out the famous "one-two-three-four" and the notes of the immortal anthem "BLITZKTIEG BOP" kick in. Over thirty songs in just over an hour to once again affirm the greatness and uniqueness of a band that has made live performance its ultimate creed! I will never tire of listening to, loving, and praising the punk brothers...I (don't) WANNA BE SEDATED. more
It promises very well… we’ll see what it will come up with in the future. more
First love is never forgotten. more
My rating would be 4.8, just a tad below the magnificent "In The Spanish Cave." Still, a lineup of excellent tracks here, nothing to say about this magnificent band... more
Of course, between this and the subsequent "The Rotters Club," I wouldn't know which is the more beautiful and complete. Extraordinary musicians, unique atmospheres... more
Perish, beneath my punishing member, I shall bestow upon you a humiliation of manly nature! Your struck cheeks will regain their color. Tedious to listen to, my phallus will restore virtue within you. more
Na' Schifezza, the singer also has a horrible voice- more
A great storyteller more
Strummer, after COMBAT ROCK, distances himself from the Clash, first Topper Headon and then Mick Jones. The latter forms Big Audio Dynamite. Their sound incorporated funk, dance, rap, reggae, and punk samples. In their 1986 album, Strummer co-writes some tracks with Jones. more