After the public's consent, a second attempt. more
The Queen when they became "the Queen." more
The importance is quickly explained: the beautiful album of unreleased tracks, plus the live album that is a summary of the previous episodes. more
An unexpectedly melodic guitar virtuosity. more
In the eighties, mixing classical scales and electric guitar was definitely a novelty. Although now it seems like a cheesy idea. This is perhaps their second best after Trilogy. The rest can be overlooked. more
In the eighties, mixing classical scales and electric guitar was undoubtedly a novelty. Even though it may seem like a tacky idea now. This is perhaps its best, alongside Odyssey. Everything else can be overlooked. more
As someone once said, Alexi Laiho is an Yngwie Malmsteen on amphetamines. more
To be made of heroin, to be more dead than alive, and to make a record. more
Falling low and telling it... more
"Peace y'all, welcome to Jazzmatazz, an experimental fusion of Hip Hop and Jazz..." more
Their "commercial" album. more
The second chapter can be described as ambitious in some way and adds complexity. While remaining more anchored to hip hop than to jazz. more
Progressive Folk Metal and medieval mythologies. more
Progressive Folk Metal and Germanic Mythologies. more
The starting album for modern metalheads who want to be bad. more
If the debut was remarkable, here we're on levels that are nothing short of stellar; this album is a bit of a masterpiece. The very first track, Non c'è tempo da perdere, is perhaps my favorite piece by Perigeo, almost 9 minutes of musical perfection. Then come other gems; I almost have to mention all the tracks because each one is more beautiful than the last: Rituale is perfect in every single second, with a powerful crescendo, Abbiamo tutti un blues da piangere is a wonder from every perspective, one of the most unforgettable pieces in our music scene, the melancholic Nadir is fantastic, and the nine and a half minutes packed with insights of Vento pioggia e sole are the cherry on top. Perhaps the album is a bit more tranquil compared to the previous and subsequent works of Perigeo, but that's a flaw that's totally relative to the listener; if someone adored the frenetic energy of many points in Azimut, they might find themselves in different waters with this second chapter. For me, it's wonderful just the way it is; I would truly change very few things about this excellent second album. 9/10, don't miss it at all. more
My generation has seen better rappers than these morons of today. more
I have always refused to listen to him, because of the stupid name. Then, just by instinct, the same old things, clichés and stereotypes galore. Maybe I am the one who is wrong. more
Hip Hop after September 11th. more
Hip Hop before September 11th. more