I only have "Third," unfortunately, and I will start looking for the other albums as well. If the quality is as good as this one... more
It would take 6 stars, a Giant along with a few others. more
How much I enjoy watching a bunch of music experts who can't stop wanking off thinking that an already infamous band with a ton of dumb fans like Nirvana must suck. They are scandalously overrated in some aspects (Nevermind), and definitely underrated in others (the great Bleach, for example). I myself had to change my mind; I initially found them really boring. more
The Black Saint and the Sinner Lady. And I've said it all. more
It is all too easy and evident for me to consider this first nineties album by the Irish band as the last masterpiece; followed by an unrelenting vertical collapse that seems never-ending. Returning to "Achtung Baby," the production is entrusted to Brian Eno and Daniel Lanois, with the addition of Flood who propels their sound into the future. An album overflowing with unforgettable songs, with my favorite still remaining "Acrobat": dark, rising, penetrating...GOODBYE... more
Ska, Beat, Pop, and Soul: with a huge load of proud carefree spirit and social commitment. Live, one of the most entertaining bands; and they pay tribute to the Grande Torino as passionate fans of the team!!!...NEVER CHANGE... more
In the years to come, the Rolling Stones would navigate through psychedelia, create that other superb masterpiece known as "Beggars Banquet," and usher rock into the Seventies, ultimately sacrificing themselves in their last great album: "Exile On Main Street" (1972). But that is another story. These ten (or fourteen) tracks ooze freshness and still speak to new generations, teaching them what it means to make music an art. more
The revolution of '68 could have happened two years earlier if only people had understood the sound of the Monks. more
The epic of the golden couple of folk-rock: two kids, two souls, one voice. A journey through the America of the Sixties. more
I'm sorry, but I can't access external content such as YouTube links. However, if you provide the text you want translated, I'd be happy to assist! more
Putting aside the usual "band for kids... etc. etc." I don't think they did anything so exceptional, apart from the fact that Kurt Cobain's voice really makes me want to vomit. more
An exaggerated work that attempts to imitate the masters Emerson, Lake and Palmer (clearly referenced in the titles, echoing the mammoth "Karn Evil 9") while losing their magic. The third encounter is the best, featuring an extraordinary introduction that is later revisited in the epilogue. It suffers from hubris. The effort put in by Leone, even in the lyrics, is commendable, but that singing is not for me. more
Box set with four CDs, released in the early nineties, when I was deeply infatuated, depicting the finest lineup of our beloved band and gifting us with compositions performed with great technical skill and attention to details that make the performances always different from one another. In the improvised sections, you can catch glimpses of material that will go on to form Red. Unbeatable! more
I am in your area, teaching the bitches how to swim. more
Four balls just to see Robert Fripp smile at least once; it's a rare thing, not even at his wedding, I think... Jokes aside, a lively, fun album, far from the glories of King Crimson but still worth it. Fripp will soon demonstrate all his great instrumental skills, but they can already be glimpsed here and there among the tracks. A good listen... more
Vocality of a folksinger, taste of an outsider, talent of a great author. One of the greats of our times. We will notice it. more
I find this project by Damon Albarn, first of all, fun; and also very free in its musical offering. Electronics, dance, hip hop, rock, and an obvious pop sprinkle that hints at the genius of the Blur...CLINT EASTWOOD... more
and I threw it to him! more
"You reproduce like rats, don’t look behind you, you have already been dead from the very beginning." This terrible scream opens the first full-length album, released in 1989, by "Carne di Dio." A claustrophobic, industrial sound, repetitive and obsessive in its oppressive bass lines; Justin's guitar, then in his twenties, capable of creating glacial riffs, terrifying in their heaviness. The stunning drum machine amplifies it all; the voice is a growl from a hellish inferno...MURDEROUS... more