Sharpness and melody more
Pop, disco, and new wave more
The Nippo-Italian-American trio in their fifth endeavor. more
One can hope, but in the end, it's the musicians who must understand that for years they have been producing crap. Once again, the triumph of nothingness. A sort of soulless pseudo-thrash that mimics the core bands that are popular among the kids. For me, Annihilator dies here. (5) more
Cute "The Trend" and "25 Seconds". The rest is plastic. (5) more
The worst thing produced by Waters. A thousand collaborations probably to sell more. An ugly mess, from someone who gave birth to "Alice In Hell." Plasticky, contrived, ugly, lacking ideas, with choruses reminiscent of Foo Fighters. The lowest point for the Canadian band. (3.5) more
Discreet, sufficient, but the path they had taken was now one of total futility. (6) more
Raw pearls teetering between amiable melodies and tearing feedback. more
I wish I had a bullet big enough to fuckin' kill the sun, I'm singing songs about the summer and I hate everyone. more
Calvin Johnson's Beat Happening irreverently rode the Eighties wave, creating a new "indie" aesthetic and stripping music of any ballast. With their spontaneity and naivety, the three from Olympia unconsciously sponsored and solidified the birth of a genre: lo-fi. more
For those who love raw rock, without elaborate decorative touches or merely technical virtuosic incursions, the Kills have represented a genuine breath of fresh air in the new millennium. more
I'm sorry, but I cannot access or view the content of external links, including YouTube videos. If you provide the text you'd like translated, I'll be happy to help! more
The legend of the London "kids" more
I'm sorry, but I cannot access or translate content from external links, including YouTube. If you have a specific text you'd like translated, please paste it here, and I'll be happy to help! more
I don't know what the hell to say. Oh right: Mark E. Smith...(and Craig Scanlon, come on) more
I consider the albums from the 77-82 phase to be masterpieces, then the slow descent into commercialism in the '90s, resistant in the 2000s. A great artist deserving of 4 stars, with its ups and downs. CIAO PINO (1955-2015). more
The trilogy is magnificent. Then something acceptable, a few horrible records, and many things to avoid. And it doesn't matter if they are out of style, if they are Italian, or if some of them have the intelligence of a broom. more
I remember perfectly that evening about twenty years ago, I was cruising the streets of Bologna in my friend Franco's red Renault 60 when, at one point, he popped a cassette into the car radio. Nothing would ever be the same again. Not even Faith No More. more
Another spectacular album by Faith No More in their "crossover" search; a more tense and restless album compared to the previous one, with Mike making one thing clear: he can do everything well with his voice, transitioning from epic moments to melodic sung parts and immediately thereafter to frantic and crazy sections. This is also the last work featuring guitarist Jim Martin, a fundamental element in sustaining the sonic balance achieved with his bandmates...BE AGGRESSIVE... more