Their album that I feel most connected to. Perhaps it's inferior to "Mask" and definitely to "In the Flat Field," but I can’t deny it the highest rating, especially due to songs like the title track "She's in Parties," the resurrected "Honeymoon Croon," and among those without Murphy, of course, "Who Killed Mr. Moonlight" leading the way, but the album doesn’t have a single bad track. The absence of Murphy for half the album makes it more unique and partly different from their classic records; for me, it's fabulous. A great farewell for Bauhaus.
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