One of the most beautiful epic albums of all time...and also in all of heavy metal. The barbaric title track, the furious "The Oak," the Nordic "Thor," and (above all) the incredible "Mountains," a powerful and gentle semi-ballad, adorned with the irresistible riffs of The Boss. Absolutely unmissable! more
 more
An album I have always appreciated and considered among the peaks of the band. The title track (riff taken from Fire Dance by Rainbow) is an immense piece, "Solitarie" is a gem... But the best track (not only of the album but of the entire Deep Purple career) is undoubtedly "Anya," a song that literally drives me crazy every time... The rest of the album is excellent... more
The most emblematic album of Neil Young's artistic rebirth in the '90s. more
The booklet is nice too. An album that alternates abrupt changes in style, between hard'n'heavy bursts and a very interesting series of "mounting" ballads. To be listened to in the car with friends or while you’re getting it on with the girl of the moment! more
The universal manifesto of steel! more
Heavenly masterpiece, highly recommended for classical music "neophytes." more
A military, alien, stripped-down, repetitive, and obsessive drumming; essential in shaping the sound of Joy Division...HEART AND SOUL... more
The repertoire isn't always irresistible, but the "Italian twist" has given it something extra! Years ago, I gave it 5 stars, which was absolutely misplaced. Let's say I'm emotionally attached to the period of "Dimmi come," but artistically it deserves 2.5 stars. more
The Poop more
For days I've been listening to his latest "album" because of a friend who keeps playing it in the car... I knew he made "music" that was crap, but not to this extent... Embarrassing lyrics and on top of that, he has a terrible voice... How the hell does this guy find success?? Who knows... The mysteries of life... Proud to have not grown up with his "music" and that of his peers.... more
If only he wouldn't flush his talent down the toilet to sing crap for attention-seeking girls... more
I would vote for him for the citizenship income... because in a democracy, no one should be left alone by the state to scavenge from the trash! more
The period from 70 to 76 is among the most unhealthy and fascinating ever felt on the face of the Earth; in 80 there was that further strengthening of the sound, adorned with grim epicness thanks to the sublime voice of God, and the rest is also excellent. Among the greatest of all time, there's no denying... more
I must say that I adore this band. In the studio, they shine, but live, not at all! A Staropoli shrouded in recorded effects of choirs and instruments, a Turilli who couldn’t be more anonymous, and a Guers (on bass) who could have just stayed in the dressing room, as his instrument is utterly pointless. The exceptional performance of Lione and a raging Hozlaw behind the drums are worth saving. This is not a type of music to be presented live! Or at least, not in this way! more
Perfect. Three guitars that give more body to the songs, a Dickinson clearly superior to his live performances of the eighties, a terrifying setlist, and the largest audience the band has ever seen. And it really shows! A round of applause for "Sign of the Cross" brought by Bruce to sublime levels: the most beautiful piece of this masterful concert! more
Excellent at an execution level, but in my opinion, Maiden England is already far superior, at least from the perspective of execution. Here everything would be perfect (with the compositions sounding in an even rawer and more straightforward outfit), if it weren't for a Dickinson, from my point of view, who spends more time screaming and unnecessarily straining his voice rather than singing like only he knows how to do. more
Album that marked the actual rebirth of the band after the excellent "Permanent Vacation"... The famous "Love in An Elevator" has become a staple in the band's live performances... Beautiful tracks like "the Other Side," "Janie's Got A Gun," but the whole album is at a very high level... more
Melodic, straightforward, intimate. A pleasant and easily understandable pop (especially from a lyrical point of view). The opener "Non finisce mica il mondo" is one of the many sound manifestos of Carboni, and the delicacy of "Per tutto il tempo" would bring a satisfied smile even to the most insensitive man on the planet. Generally nice, but at certain points truly fulfilling (as long as you can embrace the simplicity of the proposal). more
Among the best chapters of Iron Maiden. Despite the startling impact due to the use of synths, it still manages to fully convince. An unprecedented blend of power and melody. The dynamic title track and the epic "Alexander the Great" are worth the purchase on their own! more