A supercazzola with holes (black) in the screenplay. Visually well made, it thrives on the usual clichés of the genre and gets lost in a finale of pure comedy (come on, the "fifth dimension of love"...) and excessive length. Besides being unbelievable in various parts, Nolan must necessarily indulge himself, otherwise it almost seems like he can't make a film. Moreover, I don't like his way of using the handheld camera, which sometimes throws the shot off balance. A film that has been stamped with authorship, but has a superficial and lackluster message. (4.5)
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