Showdown
lanonninahot69

lanonninahot69: Showdown Traccia 03 in Showdown Album - 17 november 2003

beautiful more
(I Got That) Boom Boom
ok more
Me Against the Music
beautiful if it weren't for madonna who ruined everything more
Lollipop
loLlipop best GIRLS group! more
Suorah -We Used to
Bellsuma!111!!!! Best Sold Out 2022!!! The slow track creates an INCREDIBLE atmosphere that’s to die for, perfect for slow sessions with my husband with a soft dick.........When he heard this song, he got UP!!!!!!!! more
Woody Allen
I've watched a few of his films, and what can I say, maybe among the top 5 greatest directors of all time? Just for having thought of Zelig? more
Suorah
1 Artist Paxeska!11!1!1!11!1! more
Suorah
artist + creative and talented of this millennium more
Suorah -Into Me
I really care about this album. more
The Dick Dastardly's
5 punk'n'roll guys from Borgo Massano (PU) glorify the genre and are in constant evolution. The DD's rely on short songs packed with an extremely disruptive and propulsive power, leading to an intense auditory and physical experience. more
The Smile
The Radiohead weren't enough to make us splatter. With this new lineup, diarrhea knows no bounds. more
Idles
Another band in the post/punk melting pot of the new millennium. Mediocre records with copy and paste. more
Lesley Duncan -Sing Children Sing
Very nice record, but nothing particularly exceptional; it is the first album by this singer-songwriter "launched" by Elton John and Bernie Taupin. She was one of the backing vocalists on EJ's albums from '70-'71, and he made space and sang (with her as the second voice) his "Love Song" on "Tumbleweed Connection." At the time, she was the wife of Jimmy Horowitz, who produced and arranged the album and co-wrote some of the songs. Duncan creates a little record of melodic ballads typical of "pop-folk" singer-songwriter style. Some songs have beautiful melodies, no doubt, but overall, it’s quite repetitive yet surely enjoyable. Of course, here’s her only "classic," the "Love Song," this time sung by her. It’s not an album that stands out from the crowd, but the songs are excellently played, and Duncan is greatly assisted in this by an outstanding cast of session musicians who support her: the "mentor" Elton John accompanies on piano and brings along the musicians who were recording with him on "Madman Across The Water": one of the five sides of the Pentacle, Terry Cox on drums, Chris "the parsley looks good anywhere" Spedding on acoustic guitars, and Ray Cooper on tambourine, alongside Horowitz on organ and David Katz handling the orchestral parts. Ballads of not incredible beauty, rather a bit monotonous, but overall a good album, average. more
Mark Tremonti Sings Frank Sinatra
Musician, producer, songwriter, and GRAMMY Award winner, Mark Tremonti is a founding member of the hard rock bands Alter Bridge, Creed, and the Tremonti Project. This is his most ambitious and challenging project to date, in collaboration with the National Down Syndrome Society (NDSS), to which all proceeds from the album's release are donated, created with Mike Smith and the remaining members of Frank Sinatra's band. more
Nick Drake
Brother of Gabrielle Lake.
In their own way, with different qualities, two splendid human beings.
I can only imagine the pride of the parents. more
Village People
They made them dance, if nothing else. more
Gracious -Gracious!
Great debut album by Gracious, a very valid band from that rich "progressive explosion" that took place between the late '60s and early '70s. Unfortunately, they are one of the many groups that did not manage to break through, remaining relegated to the "cult underground" of the genre and disbanding after two albums. However, the Gracious were very good, and you can hear that in this debut, which is, understandably, a bit raw in some places. The 5 tracks are all beautiful, starting well with "Introduction" (which clearly shows how the Gracious remain anchored to the pop-rock-blues roots of the sixties, and rightly so, blending them with the "new" symphonic-prog pop). The 16 minutes of the concluding "The Dream" are not bad either (stylistically, the same discussion applies, with jangly guitars, more "elegant" keyboards, "rock/blues" guitar solos, and classical quotes – Beethoven – which always fit well). Speaking of classical infatuations (typical of certain prog), there's the entire classic-sounding "Fugue in D Minor," which is delightful. Also excellent are the "dual" tracks "Heaven" (with the stunning mellotron introduction, used after being struck by the usual King Crimson and beautiful guitar parts) and "Hell" (more experimental, with dark guitar riffs and the nervous use of piano and harpsichord, plus other interludes perhaps thrown in a bit randomly). more
Rush -Fly By Night
Well, it's better than the debut, even if it doesn't blow me away. The important thing is that the true trio of Rush is born here, with the arrival of Neil Peart on drums, who immediately takes control of the lyrics, beginning to create those fantasy-science fiction micro-worlds that will characterize the band's vision in the years to come; of course, the difference between Peart's drumming and that of the previous drummer is the same as that between grandma's bundt cake and a stale cookie that ended up under the couch in 1987, roughly. I'm not crazy about their "power-rock" from this early period, all pumped up, shouted (from the shrillness of that great bassist Geddy, as far as voice...) and tacky, which will influence a lot of the terrible "hard" that follows for me, although a couple of tracks are fun; however, there are starting to be more interesting things on this album, "By-Tor" is the first track with a more complex structure and changes in rhythm and atmosphere, paving the way for their later typical "hard-prog" or "power-prog," while "Rivendell" introduces their more bucolic and pastoral side, a delicately beautiful acoustic ballad with dreamy lyrics that evoke a fantasy atmosphere, enhanced by a lovely melody. This is the album where a more defined and personal style begins to emerge in Rush. more
Miles Davis
…the “Sorcerer”… the “Prince of darkness”… more