[1973]
The graceful, electric dream of a butterfly.
A revitalizing blend of sweet, tangy, colorful fruits.
A magical mix of jazz_fusion, funk, bossa nova. more
talented!! my idol! more
[1971]
Plain, unembellished, sincere, salty.
Piero Ciampi is Livorno, and vice versa. more
I love them, they are amazing. more
[1977]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [4] more
[1974]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [2] more
[1973]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [1] more
[1975]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [3] more
The triple play made up of Nero a Metà, Vai Mò, and Bella 'Mbriana earns him the 4 debaserian balls. more
[1978]
The sweet sway of the dream, of velvet in the pavilions.
Typically Obscure Records. more
[1975]
Small jazzpop-indefinable candies from the Nippojappo Seventies more
[1977]
Nocturnal snippets, cold and sharp, in neon-lit Chinatown. Perhaps the best of Italic postrock_Gnùueiv. more
MYTHICAL more
Doom Metal more
[1994]
Bristol_sound a.k.a. how to draw muffled night scenes, suspended atmospheres, retro enchantments, ink soundscapes. more
[1993]
The music of the penguin orchestra, that is perfection. Mysterious, haughty yet so spontaneous.
Last part: the sailing of ships to who knows where, the vague distant constellations. more
[1966]
Norman Dolph's acetate, Scepter Studios, New York City NY, April 1966. That is, the rougher and noisier version of the rough and noisy underground velvet. more
[1987]
The music of the penguin orchestra, that is perfection. Mysterious, proud yet so spontaneous.
Fourth part: total carefreeness and melancholy, like when the holidays come to an end. more