Banco del Mutuo Soccorso -Banco del Mutuo Soccorso
First of three exceptional albums, due to a typical matter of "imprinting," this is probably my favorite from Banco, even though all three titles are clearly on the same level; however, this one has those particular atmospheres that have stayed with me a little more. Then, well, there's the voice of Franciccio Di Giacomo, the sublime melodic sense of the Nocenzi brothers, that taste for melody which is completely Mediterranean, entirely Italian, and that type of melody that is deeply local, which, while respecting the indisputable influence of British models, gives Banco a solid personal identity, which is excellent. Banco's melodies are extraordinarily smooth, catchy, pleasant, and also profoundly deep, dramatic, like those moments of Gianni at the piano… In short, these wonderful compatriots of mine are truly a powerhouse. more
Coma_cose
The updated and married CCCP. more
Disturbed -The Sound Of Silence
Remake of the historic piece by Simon & Garfunkel, their first success included in the first album Wednesday Morning, 3 A.M. from 1964. more
Frank Zappa
I'm sorry, but I can't access external links. However, if you provide the text you'd like translated, I would be happy to help! more
Coma_cose
Two brain-injured individuals to be locked away. She’s good for blowjobs with a blowjob voice. The worst of today's times where music and talent don’t matter. more
Gram Parsons
Too seldom celebrated. more
Glen Larson -Supercar (Knight Rider)
Supercar (Knight Rider) is an American television series produced between 1982 and 1986, created by Glen Larson and starring David Hasselhoff, Edward Mulhare, Patricia McPherson, Rebecca Holden (only season 2), and Peter Parros. more
Glen Larson
Glen Larson, officially known as Glen Albert Larson, is famous for creating several successful television series such as Galactica (1978), Quincy, Knight Rider, Automan, Buck Rogers, as well as Magnum, P.I.. more
Camel -Nude
The concept that I've listened to the most from Camel. It's definitely one of their most successful albums, in my opinion. Sweet, poignant, at times energetic and Floydian.
I've often listened to Camel as a happy synthesis on the frontier between Pink Floyd, Genesis, and Canterbury jazz rock.
Classy and inspired music. If only we had artists like that still today in 2023... I would sign for it. more
Camel -Breathless
The most accessible album by Camel. Progressive pop rock with a graceful balance. You can feel there's a team of arrangers and melancholic poets behind their instruments. Together with Nude, it's the album I can listen to in full without getting bored. A sunny album, this Breathless: perfect for a camel under the Saharan desert sun. lol more
Federico Fellini
Absolute genius! The rest is just a bonus. more
Maneskin
He's more transgressive than them, Topo Gigio! I give it a 1 only because there are no negative ratings... more
Stomu Yamashta's Go -Go
Great expectations, but it goes nowhere. more
Gomez
Twenty years have passed and I still love them madly with true love... more
Iron Maiden
In the 80s, Steve Harris's band clearly turned the tide of metal music, building on the foundations laid by Black Sabbath, Deep Purple, Judas Priest, UFO, and others. The innovative use of the bass by Harris and the construction of complex tracks made their music very akin to prog, especially for some albums and certain songs, while still not neglecting the choruses, riffs, and solos that hold such importance in metal.

Many albums, but I would say six are essential in the formation with two guitars, and definitely one with the three-guitar setup. more
Le Orme -Uomo Di Pezza
Second splendid album of the "triad" of the best works by Le Orme (although almost all the albums from "Contrappunti" to L'Ape are also very beautiful). Compared to "Collage," the lyrics here focus on themes, all "feminine," that are even more sunny, cheerful, and optimistic. On the contrary. Little girls being abused, stalking with attempted home invasions, women in asylums, etc. HURRAY! What a joyful band. All of this is sometimes "sweetened" by reassuring and delicate music and arrangements or by lyrics rich in evocative imagery that try to be as non-explicit as possible, with "Gioco di bimba" being the prime example in this sense, while I find the contrast between the musical sweetness (with the bonus of Pagliuca's electrifying solo on his newly bought synth) and the heartfelt and decidedly more explicit lyrics in "Figure di cartone" to be wonderful. This is one of my favorites in Le Orme's repertoire, alongside "La porta chiusa," which is instead the track where all delicacy is abandoned, especially at the musical level. It constantly maintains an unsettling atmosphere, dark, urgent, and electric, even anguished in the singing of the great Tagliapietra. Even more electric (the most aggressive and "rock" track on the album, as well as dark, no mistake about it) is the instrumental "Alienazione," with Pagliuca's Hammond and various keyboards diving deep into electric distortion, producing truly remarkable sounds in my opinion. Oh, and the cover is fabulous. more
Le Orme -Verità nascoste
The album features three tracks of absolute excellence ("In Ottobre", the heart-wrenching hybrid between folk song and chamber music of the title track, and "Regina al Troubadour", with its wonderful final part, very much "Genesis" by the way) within an overall very solid work (see the opening and closing with two great pieces like "Insieme al concerto" and "Il gradino più stretto del cielo", but also "Radiofelicità"). With Serafin as the fixed guitarist, more in tune with the trio's characteristics compared to Marton, Le Orme return to paths they know well with the class and melodic inspiration that has always distinguished them, lightened in their electric approach compared to certain bursts of the past, but that's fine too. Excellent album, I really like it a lot. more
The Rootworkers -"Attack, Blues, Release"
The debut EP by Rootworkers, "Attack, Blues, Release," is a scorching descent along the banks of the modern-day Mississippi. more
The Rootworkers
The Rootworkers were born in 2019 on the border of the provinces of Macerata and Ancona, in the winding countryside of the Marche region where they establish their operational base. "Attack, Blues, Release" is their blood-tinged debut EP: an overwhelming blues that hints at '70s psychedelia, a blend of swing and boogie rhythms accompanied by sharp and acidic sounds that support a warm and distorted voice. more