Someone came out of anonymity with "El mismo sol" [which wasn't that bad] and not even 3 summers later he releases "Lo Mismo". Just this. And if we think of some macro-plagiarism used as a catchy tune and how he has then recycled himself in the middle of TV and in his Country, it results in a gigantic ...rip-off. Go back to being a waiter on commission, starting this Monday!!! more
Mascalzone Latino; it is one of the favorite albums of the singer-songwriter himself, made entirely in-house and programmed on the computer by pianist Bruno Illiano alongside Daniele for several years now. Taken from the album; more
Mascalzone Latino; it is one of the favorite albums of the singer-songwriter himself, entirely produced at home and programmed on the computer by the keyboardist Bruno Illiano alongside Daniele for several years now. Taken from the album;
'O 'Mericano. Pino Daniele. Pino Daniele - 'O 'mericano
 more
I learned of his untimely passing. With the Pop Group, I always found it a bit difficult to listen, finding their musical proposal a bit too random, despite being original. I prefer their solo works, the first with the Maffia featuring a sound that is still today truly astonishing, and the second "As The Veneer of..." being creatively "cabaretvoltairian." more
One of the most heart-wrenching "nineties things in music" I have heard in the masculine outside of that decade. more
Aside from Brian May (great sound and good guitar ideas), Queen is pretty mediocre (including the singer). In decades of career, I can only name 5/6 songs at most; everything else is boring ba-rock. And yet people love them (and that leaves no doubt). more
Very very good, Warm
Spaced Blue is an album to have. more
[1967]
Los Angeles, unruly and baroque psychedelia: two Sixties gems. Garage rockisms, long suites. A polished yet unruly record together. more
[1967]
Los Angeles, unruly and baroque psychedelia: two Sixties gems.
Captivating orchestral baroque, flamenco, folk-rocking.
A typical desert island record. more
[1969]
A record that smells of breezes, of cotton clothes, of fair scents, of sage, of nepitella, of rosemary, of March fogs, of pecorino cheeses. more
[1967]
Icastically typical, immensely fresh Sixties masterpiece, the surrealist pink cushion.
Anchovies in wonderland, psychedelic, airy trinkets. more
[1973]
A Charybdis of feelings.
A slosh of the soul. more
[1971]
Viscous, pitch-black, shining, stormy. Indispensable. more
[1977]
Therefore, it's like stirring the cauldron of the world with a double bass. more
Let's give Caesar what belongs to Caesar: you can't consider yourself a fan if you don't know and love their first 6 albums! There they were truly funk, quirky, energetic, innovative. After that, they became an acceptable soft-rock band, listenable but not memorable, with rather bland melodies; in my opinion, pop-rock is not their thing!
And anyway, when it comes to creativity and individuality, Faith No More and Primus blow them away. Shall we compare Mike Patton's versatile voice with Anthony Kiedis's thin and imprecise one? Flea is a good bassist, but Les Claypool outshines him in technique and creativity! more
Dj Fonzie Ciaco, in the summer of 2012, released his first solo single with Net’s Work Records titled: Dj Fonzie Ciaco – Heaven is a place on Earth, a powerful cover of Belinda Carlisle's 80s song, which reached the top positions on the iTunes charts. The single, featuring remix versions by Holly & Mappa, and Venuti & Goaty, achieved first place on the special sales chart of the digital portal My Clubbing Store for two consecutive weeks, ahead of artists like Dj Antoine and Gabry Ponte, especially in France. Heaven Is A Place On Earth, a cover re-sung by Diana J, a singer who collaborated with Gigi D’Agostino in the 2000s, also reached top positions on the sales charts in Italy after being released as a CD single. more
One of the reasons for the current decline, from pop until today. Three beautiful songs, the rest is nothing. Ricchi e Poveri took from them. more
More Zombiritual for everyone! more
Great intro, but it's a shame that just 8 seconds in it starts with an impressive mess all centered around comparisons, seasoned with a chorus that clumsily echoes Ska-P and wraps up, along with Ax's unnecessary emphasis, the album in the most disgraceful way... more
Fusion song designed for the twenty-somethings of the "empty subsequent half-century," featuring a falsetto and vintage counter-choruses, nice for a picnic, and with an Epilogue that stands neither in heaven nor on earth. more