I also experience petty racism towards someone, and I'm not targeting the "terroni" present in the ESB. more
You wake up in the morning convinced that you can relax, and then right after you realize that not only can you not listen to music because of the church bells nearby, but also it doesn’t last for shit and then the week starts again. I give it three stars because I’m a good person. more
I'm sorry, but I can't access external links like YouTube videos. However, if you provide the text you want to be translated here, I'll be happy to help! more
The only living being that can light a fire underwater. more
I still need to figure out how the hell those from Duckburg and Mouseton understand what he says. Seriously, as a kid I didn't understand a thing on TV. more
I have always wondered what would happen if they held a concert at the sausage festival together with Sunn 0))) and their crew. more
The riff of Iron Man. Need anything else? more
In the 90s, they were the quintessence of drugs at its highest expressive levels. The Fat of the Land, released in 1997, is still a bomb today. more
The R.E.M., especially in their early period, linked to the '80s, forged a dreamy sound – fittingly named! – rich in nuances. At the center, yes, there are the guitar riffs, sometimes repetitive and sometimes complex, but you can feel a strong percussive component, built by an essential rhythm section (bass + drums) that captivates. The cherry on top, the wonder of wonders, is Michael Stipe's voice, with its piercing tone, which at times recalls Peter Gabriel ... the lyrics, by Stipe himself, visionary and constructed through Burroughs' cut-up technique, make R.E.M. one of the most intelligent and astute punk-derived bands in history. more
Impeccable debut by Eggers, a satisfying and unsettling dark fairy tale on the themes of religious bigotry and witchcraft with a Bergman-esque echo ('The Virgin Spring'), which uses the supernatural as a means to tell the self-destruction of a family victim to their own religious extremism and mutual wounds and resentments. The visual medium is excellent, able to recreate a subtly eerie yet damned seductive environment, accompanied by a beautifully crafted screenplay that brings spontaneity and care to all the characters. Perhaps the ending (although shot incredibly well) tends to break the aura of ambiguity surrounding the story by offering a singular interpretation, but it works just fine as is. A film that thrives on continuous and splendid suggestions. more
A legend of Punk/Metal music. Many forget that they were playing what could be defined as Grindcore and Death Metal as early as 1986, even before Carcass and Napalm Death; for this reason alone, they are perhaps the most influential band in the whole Grind/Death genre. They should be rediscovered by everyone who calls themselves a fan of heavy music. more
interesting group, pleasant album but too inconsistent more
A boundaryless musician capable of expressing a musical personality (composed of rock, blues, country, etc...) after having made the most of the lessons learned from many of his masters, such as Chet Atkins, J.J. Cale, and Django Reinhardt. The author of a perpetual search for melody, both with Dire Straits and in his solo journey. more
Archie Sheep plays Charlie Parker. Great Pedersen on bass. more
A technical, violent, and incredibly unique Death Metal. Unjustly underrated. more
The best mental trips I take are with their songs. more
This man has been and will always be a legend. Period. more
For the atmospheres and the overall style of the album, it’s clear how many pieces were written for Genesis. But the best is yet to come! more
I think this album is fantastic; it’s a shame that we can’t find a thing by them here. more
This band is proof that even a genre aimed at the masses like Pop can be exceptional. more