[1967]
Los Angeles, unruly and baroque psychedelia: two Sixties gems.
Garage rock and roll, long suites. An album both polished and disheveled at once. barocca: more
[1975] more
[1971]
Viscous, pitch black, gleaming, stormy. Irresistible. more
[1966]
Poland, the 1960s. Cinematic, disheveled, sleepless. Perfect. more
[1982]
Minimal songs, like marbled pearls to be found at the very bottom of the bottom of the bottom.
Songs for a world that will never be. more
[1967]
Incisive, typical, a fresh Sixties masterpiece, the surrealist pillow pink.
Anchovies in wonderlands, pyschedelias, graceful knick-knacks. more
[1983] more
[1982]
Flashes of alien dub-funk, from a well-oiled mirabilis trio. Unrepeatable. more
[1977]
Ergo, how to stir the cauldron of the world with a double bass. more
[1978]
The sweet swaying of the dream, of velvet in the pavilions.
Typically Obscure Records. more
[1973]
The graceful, electric dream of a butterfly. A refreshing smoothie of sweet, tangy, colorful fruits. A magical blend of jazz_fusion, funk, bossanova. more
[1969]
An album that tastes of breezes, of cotton dresses, of fair scents, of sage, of calamint, of rosemary, of March mists. more
[1979]
Ibernation, decay. Again, perhaps the best of Italian postrock_Gnùueiv. more
[1977]
Nocturnal excerpts, cold and sharp, in neon-lit Chinatown. Perhaps the best of Italian postrock_Gnùueiv. more
[1973]
Wunderkammer & Oblique Strategies: music from the alien non-musician, from the yonder [1] more