seminal disc... several characters come to mind who made a career out of Cale... Masterpiece! more
high-class jazz fusion more
very high interpretative level.
and then look a bit, we have a certain Zawinul playing. more
A handful of great songs, more than enough at least musically (I'm thinking of "Piero e Cinzia," "Ricordati di me," "Sotto il segno dei Pesci," "Giulio Cesare," and "In questo mondo di ladri"). Too bad the rest is about as unlistenable as anything a drunken puppeteer from Garbatella could come up with. more
He raised me sick and insane... I don't know whether to thank him or not. more
5 for Ruggeri more
One of the worst more
The first metalhead in history more
Too much whiskey and too much wine... but how the hell do they push the accelerator so hard?! more
Great movie and great director more
descending parabola! more
A band that you'd have to invent if it didn't exist. Until 1977, with the death of guitarist Terry Kath, they produced works that were all, more or less, between decent and excellent. After 1977, you can only pick a few tracks here and there from the various subsequent albums... and it's a shame. The only exception as a full album is the cleverly crafted yet undeniably spot-on "Chicago 17" from 1984. Horns, synthesizers, and AOR commercial melodies blend together with convincing results, achieving monstrous success at the time. more
All I need is the beautiful, painful, haunting, immense title track to give this album the highest score...
"...Now the sun's gone to hell
and the moon's riding high..." more
milestone of Italian prog more
Yet another Brit-pop band in the wake of Coldplay...pleasant enough but nothing special! more
Really "cool," come on, this can't be a FRENCH director. more
Almost 40 years after its release, it remains an album of incredible freshness! more
Honestly, it doesn’t drive me crazy; too much blending of psychedelia and classicism! more
The most curious and longest title of a progressive album more
So inspired that it forgives being French. more