Classy new wave-infused synth pop. Nice! more
Long live the little trotters! However, this is a bit of a hassle for my tastes. more
"Oh! banal fate! Everything shines and then passes, it lures us with the True and Love; and so we shall go until in turn the earth bursts into the heavens, without a trace remaining." more
Truly strong. Authors of often original, interesting stories.
THE BIG LEBOWSKI is their absolute masterpiece.
Just below, more or less on par: MILLER'S CROSSING, FARGO, THE MAN WHO WASN'T THERE.
However, the most Coen-esque film of all is BARTON FINK. more
It's the Floyd, damn it!
And to think that, excluding a few recent works, they've never gotten it wrong in my opinion. more
Who? Iconically them. It would be 5 even if they had only composed the intro to Baba'o'Riley. more
The most baroque and pompous exhibitionists of the great progressive rock of the '70s. Anyway, it’s a 4, especially thanks to the professional they enjoyed behind the keyboards. more
Rock 'N Rolf returns two years after Pile of Skulls, delivering another masterpiece. Black Hand Inn is the culmination of all the characteristics of Running Wild: blazing fast riffs, never a moment of pause, and a unique atmosphere. Just listen to tracks like The Phantom Of Black Hand Inn, The Privateer, the relentless Titletrack, or Dragonmen. A special mention goes to Genesis, probably one of the most beautiful songs ever written by Kasparek, which, in its entire 15 minutes of duration, never gets tiresome. A round of applause is also deserved for Jorg Michael, who delivers a phenomenal performance on drums. 10. more
A minstrel amidst fairy-tale atmospheres and spiritual musical exploration. Simply a genius. more
Epitome of funk more
Massimo is too simple a name. If you had been called something else, you would have had more success— a different name, something a bit special. For example... Vasco. more
Corpses, on the double! more
There will be a love comeback in twenty-four hoooours, thaaaere will be, I think back to the divorce in front of a compensaaaa....
(Oblivion) more
1) Shitty melodies from a clumsy pianist at the little square bar
2) Corny lyrics for a Saturday night at home with diarrhea
3) A character that nothing worse could happen to the Italian music and TV scene. more
A great drummer and a decent composer, it’s a shame that the character is among the dirtiest, most unpleasant, and disgustingly vulgar in the music world. And his voice can’t even be compared to Gabriel’s. more
A good debut album, but the best will come with the following records, which will also feature Gene Hoglan on drums instead of Jack Swartz, who played on this album. Nevertheless, tracks like Merciless Death, No Tomorrow, Vendetta, or the monolithic Welcome To The Slaughterhouse are great songs, made even more powerful by Don Doty's voice. more
Pioneering guitarist of Neapolitan blues. Period.
"I'so pazzo...e nu'mm'e scassate u cazzo" more
The definitive post-Blackmore experience was enough for me. The period that precedes it would be worth 15 stars, but unfortunately, I can't. And it's not a criticism of Morse. more
Once, they almost tried to make me like it by gifting me "Miss World"; now, apart from a few decent titles, it annoys me even more than my relatives (yeah, I’m unlucky enough to be surrounded by fans in the family) and even worse than Vasco Rossi. In fact, at least Vasco doesn’t pretend to know how to sing and play the guitar. more
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAA more