For brevity, one of the greatest and most innovative bands to ever appear. more
Perhaps not a hell of a pianist, but his vocal range is his and will remain his until another like him is born. Point. more
Probably an acoustic guitar talent as much as Jimi was with the Stratocaster. It's terrible not to see him in the charts. more
Second album for the Lombard band. more
Max Zanotti's band (former Deasonika) more
I don't love punk for its own sake, but hearing them say that they represent it makes me hate it even more. more
Five full and a fuck you to all the hipster assholes. more
Surely my favorite Floyd and, along with Markino and Jimi, my favorite guitarist. more
One of the great American singer-songwriters, without a doubt. more
If I gave 1 to D'Alessio and 2 to Ron, I must give 3 to Max Pezzali. more
Live incredibly beautiful (just like the one in London the year before, by the way) that represents a delicious live preview of the more experimental Buckley that would arrive shortly after. Aside from an unstoppable, wild, fiery, and mesmerizing "Gipsy Woman," the true gem is "I Don't Need it to Rain," which unfortunately will find space only in a live setting and never get a spot on a studio album. The previews (3/5) of "Lorca" are delightful (exceptionally rendered for "Driftin" and "I Had a Talk With My Woman") with an extensive and engaging "Nobody Walkin," and simply chilling are the two tracks from "Blue Afternoon": the marvelous "Blue Melody" and "Chase The Blues Away." One of the two essential live recordings for Buckley fans. more
Hipsterian Aphorisms:
"Did you know that breathing is mainstream?" more
A croaky voice, if one could call it that, and sappy, superficial songs. I like "Ti Lascerò" mainly for Oxa, the rest is something stupid, not very catchy, and why not, rather vulgar. more
Along with "Starsailor," my favorite album by Tim. The dark abysses into which Buckley's increasingly free and daring vocal experiments dive in the title track are simply extraordinary, a stream of consciousness even bolder than that of "Love From Room 109" from two years prior. His Voice in "Anonymous Proposition" literally liquefies a simple, yet beautiful, crooner-like melody. "Driftin" follows the same path but in a less extreme way, with an exceptional melody and a vocal performance that is indescribable in its grandeur and maturity. The remaining two tracks are more linear and classic, balancing the sunlit yet melancholic serenity of "I Had a Talk With My Woman" with the "groovy" moment of "Nobody Walkin," which just throws it away... For me, one of the most beautiful albums of the entire '70s. more
A ridiculously unfortunate and soporific Italian double of Jackson Browne more
truly impressive these Germans from a prog soul. more
one of the most underrated works of the SC...high-level white soul accompanied by an intimate, spine-chilling side more
Strange that I haven't found one of their records in the chip bag yet. more
The milf who sings would fit in, but they are defined by their bad luck and their only song is awful even to dogs. more