The striking self-titled album from 1979 (with the inevitable wrong cover of the debut) is the second piece of his exceptional "singer-songwriter" trilogy and, in general, yet another beautiful record in a sequence that began six years earlier with "Il giorno aveva cinque teste." This is a practically perfect album, with no flaws and a continuous inspiration in a series of great songs ("La signora," "Notte," "Stella di mare") punctuated by three particularly inspired tracks (rightly among his evergreens) that surpass even the high qualitative average of the album: "L'ultima luna," "Anna e Marco" (almost "Zavattiniana" in "Miracolo a Milano") and, of course, "L'anno che verrà." Immense Dalla.
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