Sandy Denny
The most beautiful female voice in English popular music. more
The Reds, Pinks And Purples -The Town That Cursed Your Name
JANGLE POP WITH 80S FLAVORS FOR THE MANY ORPHANS OF SARAH RECORDS.
ONCE AGAIN SIMPLY SPLENDID more
Rory Gallagher
The best electric guitarist of his era, second only to Hendrix. more
Feeble Little Horse
magnificent melodic body attracts me even more for its beautiful electric tattoos that adorn it with taste and a sense of measure more
Miles Davis
you must play what isn't there...simple more
Furgone
VAN ARE:
TOM CRUISE - vocals
STEVE BUSCEMI - drums
LEONARDO DI CAPRIO - bass
BOCA JUNIOR - guitar
KEANU REEVES - backing vocals; fist fight more
Penguin Cafe Orchestra -Penguin Cafe Orchestra
[1981]

The music of the penguin orchestra, that is perfection. Mysterious, majestic, yet so spontaneous.
Second part: lightness, insubstantial folklore. more
Wayne Shorter
direction indicator more
Chapterhouse -Whirlpool
One of the best "shoegaze" albums that I just discovered. more
Penguin Cafe Orchestra -Music From the Penguin Cafe
[1976]

The music of the penguin orchestra, that is perfection. Mysterious, proud, yet so spontaneous.
First part: rhubarb and honey. more
Nadja -Sv
The evolution of a sound more
John Cale -Music for a New Society
[1982]

Minimal songs, like mottled pearls to be discovered at the bottom of the bottom of the bottom.
Songs for a world that will never be. more
Krzysztof Komeda Quintet -Astigmatic
[1966]

Poland, '60s.

Cinematic, disheveled, sleepless.
Perfect. more
The Keith Tippett Group -You Are Here... I Am There
[1970]

In the scent of Canterbury, that is: when jazz_rock in England was becoming skewed, naïve, with little. more
Swans -Soundtracks for the Blind (disc 2: Copper)
Bzzzzzzzzzzzzzzzzzzzzzzz. Probably the zenith. more
Rosa Chemical
The counterfeit version of Renato Zero more
Heroin in Tahiti
musical archaeology of a future civilization lost in the present more
Paolo Nutini
Ło-« »Sugar« »-deŁe-Łowlands. I A No tell me that it’s not true... more
TELESCOPES  -OF TOMORROW
DISTANT ARE THE TIMES OF "TASTE," "IN OF TOMORROW" AS THE GRANITE VIOLENCE OF SCREAMING GUITARS IS PUT ASIDE, SPACE IS LEFT FOR SYNTHS THAT, WITH THEIR CLOSER VOICE, TRACE CIRCULAR MELODIES. more