Great with and without Eno. Moreover, for my taste, they represent an anomaly: I'm not a lover of kitsch or glam in general. They are a beautiful exception. more
My favorite album from the past. Claustrophobic and sick atmospheres à la Velvet Underground, the raucous rock of the Rolling Stones, the guitar work of J. Hendrix, the trance of the Doors, plus what Iggy Pop and his mates contributed. What more could you want from an album from 1969 that few understood at the time and that many would look up to? A Milestone. more
The best Italian album of all time according to "Rolling Stone," then they place Mob Rules by Sabbath and Number of the Beast by Maiden at number 1, but what kind of cola have they "drunk"? more
the Backflow more
Shimmering more
After them, rock learned to breathe smog and shit out dynamite. The Ozzy era alone is enough to earn a life sentence. more
Ma ricordo quando eravamo giovani... more
Who said you have to be angry to make great rock?
This is happy music for happy people. more
For once, the album should be credited to the Heartbreakers & Tom Petty. A perfect Rock'n'Roll machine for four hours of pure musical fun. An essential soundtrack for long highway rides. more
An authentic enlightened demon of sound arts. more
I have to buy this record. It was recommended to me by reliable people from Debasio, and I was expecting good things. Oh, it’s WAY better than I hoped for. This debut album is electrifying. A guy born with completely messed up skin pigmentation (or maybe it’s the vocal cords that are messed up, I don’t know) with the biggest voice-face discrepancy I’ve ever seen, presents a series of bomb songs filled with R&B, Funk, Soul, and killer grooves, that voice just there to then slow things down with the last tracks, showcasing also a magnificent romantic "crooner." Antonio Giovanni Bianco navigates as an excellent singer-songwriter (the entire first half of the record), an outstanding interpreter (Bacharach, his fellow countryman Slim Harpo, Jim Webb, etc.), and also a damn good guitarist, acid and Funkybombastic. While he’s at it, he also writes a classic like "Polk Salad Annie." Amazing, well done, encore. more
"Tubular Bells," "Ommadawn," and "Crises" are works of the highest caliber, musically of truly exceptional class. Underrated even as a guitarist, as well as a composer. more
What can you say about him? That he’s not good, not prepared, that he hasn’t written some beautiful songs? Sure, listening to him is another thing, but I’d say a 5 for his career is fair, maybe 4, because in fact he’s got a bit of a rough edge too. more
An album brimming with exciting arrangements and simple lyrics, about love, but written with absolute passion and attention to every little word. The musicians playing on it are something alien. more
Influenced by Dylan, and it shows. Two good albums, the rest quite mediocre. As singer-songwriters, Battiato and Battisti are definitely on another level. In short, he’s the typical artist mentioned by hipster/loser snobs to show they understand music, when in reality, in 99% of the cases, they listen to unlistenable stuff!!! more
Among new sweet flavors, children's games, closed doors, fleeting images, cardboard figures, dawns to wait for, and alienation, one of the most refined and poetic albums of Italian progressive music. more
www.watcherofthetrees.com more
Progressive, in the sense that it progresses, it did so then and it still does... more
An extremely valuable album, without which one cannot claim to know Italian psychedelia and progressive music. more
The Pooh I wish I could have seen throughout their entire career... more