a lighthouse more
Innovative, contemporary, magnificent. An unprecedented artistic parabola. more
The early works remain timeless classics. One of the few "true" artists in circulation. more
I met him just before he died, an indelible memory. Great, immense, a genius and in his greatness even underestimated. more
brilliant, unique. we owe him everything more
immortal artist more
The Piazza Dealer who never betrays you. more
Music from another planet. Music of giants. Music of people who stomp their feet on the ground, but with their fingers they brush the stars. more
unproposable more
Some excellent pieces, but generally lacking substance. more
Nothing short of pathetic more
The best heirs of the Beatles sound. Intelligent, knowledgeable, skilled in composition and presentation. more
One of the best and most personal "bridges" between the music of the '70s and the subsequent wave. Perhaps Foxx's are more interesting, while Ure's are definitely enjoyable. more
bitter Ramazzotti, very bitter. more
One of the ruins of music. more
Don't pay attention to Mario Cassini. Beyond any dislike one might feel for the frontman, he's one of the most interesting figures in recent years. "Metallo Non Metallo" is one of the most beautiful albums of the Italian '90s. more
Neurotic and intricately complex but truly great! more
A fundamental post-punk band that, had they disbanded after 1981, might today be regarded on par with Joy Division. Unfortunately, they continued to churn out increasingly ugly and commercial records. more
In the early part of their career, they were truly among the best representatives of English post-punk, but after the commercial turnaround of 1983, they unfortunately became rarely noteworthy. more
Those with Foxx are considered by many to be pioneers of the New Wave, but perhaps because of this, their music has aged worse than that of many other artists in the genre. With Ure, they at least left behind a pleasant synthpop album like "Vienna." more