[1966]
Norman Dolph's acetate, Scepter Studios, New York City NY, April 1966.
That is, the rawest and noisiest version of the raw and noisy underground velvet. more
[1971]
In the scent of Canterbury: mad whirls, fanfares, cerebral-gezzrock fetuses. more
[1970]
In the scent of Canterbury, that is: when jazz_rock in England became crooked, naïve, with little. more
[2008] more
[1997] more
[1994]
Bristol_sound a.k.a. how to draw muffled nocturnes, suspended atmospheres, retro charms, ink soundscapes. more
[1973]
A Charybdis of feelings.
The lapping of the soul. more
[1971]
Blunt, straightforward, sincere, briny.
Piero Ciampi is Livorno, and vice versa. more
[2017]
The imperfect sea. more
[1993]
The music of the little penguin orchestra, that is, perfection. Mysterious, aloof, and yet so spontaneous.
Final part: ships setting sail to who knows where, the vague distant constellations. parte: more
[1987]
The music of the little penguin orchestra, simply perfection. Mysterious, aloof, and yet so spontaneous.
Part four: utter carefreeness and melancholy, like when the holidays come to an end. parte: more
[1984]
The music of the penguin little orchestra, that is, perfection. Mysterious, aloof and yet so spontaneous.
Part three: in a precarious balance, dreaming of home. parte: more
[1981]
The music of the penguin little orchestra, that is, perfection. Mysterious, aloof and yet so spontaneous.
Second part: lightness, impalpable folklores. parte: more
[1976]
The music of the penguin little orchestra, that is, perfection. Mysterious, aloof, and yet so spontaneous.
Part one: rhubarb and honey. parte: more
[1968]
Pearls before swine: the strange, skewed, restless, weird-folk-acid world of T. Rapp. Unidentifiable objects. (2) porci: more
[1967]
Pearls before swine: the odd, restless, weirdly acid-folk world of T. Rapp. Unidentifiable objects. (1) porci: more
[1976]
An unpredictable convergence of worlds. A handful of sweet, sad, and sublime songs. more
[1960]
A perfect jumble of blood and sweat, of rage, of celebration. An entire life in one record. more
[1977]
A solitary avant-garde, in four acts.
Scenes made and unmade in a half-sleep.
A truly unique record. more
[1967]
Los Angeles, wild and baroque psychedelia: two Sixties gems.
Alluring orchestral baroquisms, flamenco, folkish rock’n’roll.
A typical desert island album. barocca: more