Johnny Moped
Gabitout
Gabitout

Johnny Moped | DeRank™: 0,00

Quintessence of punk! more
Johnny Moped -Cycledelic
Gabitout
Gabitout

Johnny Moped — Cycledelic | DeRank™: 0,00

Quintessence of punk! more
883 -La Donna Il Sogno & Il Grande Incubo
JpLoyRow
Cecchetto milks the goose that lays the golden eggs and imposes a frantic pace on Pezzali: one album per year. The artist from Pavia cobbles together a hasty work, with a few flashes of brilliance ("Una canzone d'amore") and very few ideas. But it still sells extremely well. forsennato: more
Antonello Venditti -Cuore
JpLoyRow
JpLoyRow

Antonello Venditti — Cuore | DeRank™: 3,00

The anger of the previous decade has vanished, replaced by the hedonistic optimism of the '80s. 8 love songs, among which "Notte prima degli esami" and "Ci vorrebbe un amico" stand out. Only "Qui" feels like a plunge into the past, but the abundant synthesizers in the control room inexorably herald the dawn of a new era. more
883 -La Dura Legge Del Gol
JpLoyRow
JpLoyRow

883 — La Dura Legge Del Gol | DeRank™: 3,00

You don't change a winning team, even if Repetto is (by now) a distant memory. Pezzali does everything by himself: two hits ("La regola dell'amico" and the title track) and a continuous flow of sounds and harmonies we've already heard thousands of times. Maybe he's run out of ideas. solo: more
883 -Nord Sud Ovest Est
JpLoyRow
JpLoyRow

883 — Nord Sud Ovest Est | DeRank™: 3,00

“They’ll last only one summer,” doom-mongering pundits declared. Yet, the second album from 883 went on to sell two million copies and included all the band’s classics (“Sei un mito”; “Come mai”; “Rotta X casa di Dio”; “Nella notte”). Plastic pop, sure, but (very) very fun. more
Tiromancino -La Descrizione di un Attimo
JpLoyRow
Extremely light (almost ethereal) pop that, surprisingly, works like clockwork: "Due destini" and the title track are huge hits on the radio and, as a result, sell like hotcakes. At Sanremo with "Strade" they hold their own: well done, bravo, encore. orologeria: sfigurano: more
Fiorella Mannoia -Canzoni nel tempo
JpLoyRow
Substantial "greatest hits" (33 songs) with the addition of two covers ("Io che amo solo te" and "Dio è morto"): it seems that he no longer feels like offering anything new and, as a defense, turns his gaze to the past (his own and that of others). more
Antonello Venditti - Francesco De Gregori -Theorius Campus
JpLoyRow
The two top talents of Folk Studio debut with an album that is sparse in sound, less so in content. Surprisingly, it is Venditti who prevails, thanks to two cornerstones of his discography: "Roma capoccia" and "Sora Rosa". De Gregori appears more nuanced, almost shy. discografia: more
Irene Grandi -Hits
JpLoyRow
JpLoyRow

Irene Grandi — Hits | DeRank™: 0,00

A rather substantial Greatest Hits (2 CDs) plus the hugely successful new track "Bruci la città" (with a reference to the Smiths). more
Renato Zero -Tregua
JpLoyRow
JpLoyRow

Renato Zero — Tregua | DeRank™: 3,00

Having put aside sequins and glitter, he tries to reinvent himself as a straightforward singer-songwriter with an extremely long double LP which, when it comes down to it, is utterly boring. "Amico" shoots him up the charts, but the rest (including the dreadful "Onda gay") is pure embellishment. Deeply on the decline. more
Luca Carboni -LU*CA
JpLoyRow
JpLoyRow

Luca Carboni — LU*CA | DeRank™: 0,00

Given the sales record (and so he's right), it's a terrible album, disappointing in both content and sound (by now all too worn out). The single is "Mi ami davvero": banalities worthy of a Perugina chocolate and adolescent love swooning unbefitting of an (almost) forty-year-old. more
Antonello Venditti -Prendilo tu questo frutto amaro
JpLoyRow
A dreadful record, a poor imitation (even in the cover) of the already less-than-outstanding previous one. From the rowdy, populist title track to the mawkishness of "Vento selvaggio" nothing seems to escape the abyss where Venditti ought to end up: as he himself says, "Tutti all'inferno." finire: more
Ligabue -Sopravvissuti e Sopravviventi
JpLoyRow
Surprisingly, he changes style and sound: the Springsteen-like rock of his beginnings gives way to a more syncopated hard rock, but one that is much less effective and convincing. Only "Ho messo via" goes down in history—a languid and (all too) crowd-pleasing ballad. The rest is negligible. more
Claudio Baglioni -Strada Facendo
JpLoyRow
A true superstar (he appeals to mothers and, in turn, their daughters), he leaves Italy and heads to London to work with Geoff Westley. The result is a pleasant, charming album, at times surprising (the shy rock of "Via"), but, underneath it all, evanescent. Yet it’s a record-breaking best-seller. more
Lucio Battisti -Il Mio Canto Libero
JpLoyRow
Increasingly self-confident, he delivers complex and elaborate melodies that are almost unthinkable for any other Italian colleague. Sometimes he goes overboard ("Gente per bene gente per male"), but often he hits the mark ("La luce dell'est"; "Confusione"; the title track). Record sales. more
Lucio Battisti -Emozioni
JpLoyRow
JpLoyRow

Lucio Battisti — Emozioni | DeRank™: 3,00

In theory, a "greatest hits." Squeezed onto the length of an LP are his most famous (and, at the time, best-selling) 45s. In any case, a masterpiece: modern Italian pop starts here. capolavoro: more
Francesco De Gregori -Titanic
JpLoyRow
A beautiful album whose common thread is the nostalgia for a longed-for and definitively bygone era ("La leva calcistica della classe '68"; "Rollo & His Jets"). Great musical variety, lyrics worth memorizing: he is in a form never seen before, and perhaps, never repeated again. memoria: more