THE ITALIAN PLACEBOS? They should kindly shut up when talking to someone about Rock, those useless ones.-1- more
Stefano Achetto's farewell is a blow, and it's felt; I miss his guitar quite a lot. From a compositional standpoint, the three remaining piglets are uncertain about which direction to take, whether to continue with a lighter progressive style (or an extremely refined pop, like the autumnal Banksian ballads already sampled on the more valid previous album or a stunning title track, "A Trick of the Tail") or to delve into a more brash chart-friendly pop. Even though it's a hybrid and clearly a transitional work, the album is still enjoyable overall. For the first time, there are 3-4 truly insubstantial songs that leave nothing and are somewhat unsuccessful, but there are also 4 or 5 great tracks (some absolutely pop, especially "Many too Many", which I've always liked), for example, "Down and Out" and "Burning Rope," the best on the album. Of course, there's also "Follow You," a pretty obvious hint that, in the end, they did have a decision in mind. Oops. more
Anamaste'. After Mediterraneo, Gabriele should have refrained from making other films for about twenty years; each of us, seeing and judging the works of f. bruni, Ciampanelli, or Virzì in their entirety, could have come out saying "the 3 Tuscans together don't even make 1/10 of Salvatores"! more
Finally, a journalist who speaks his mind and defends made in Italy from the attacks of the EU. more
It's not recorded very well, but the charge and the guitar arpeggios can be felt. more
The most powerful and important Greek god of Olympus, Zeus and Kronos are nothing compared to him. more
Alongside "A Trick of the Tail" (yes, the one without Peter Gabriel, who cares), this is the most compact, cohesive, and flawless album by Genesis, and it’s probably their best one overall, where the "classic" lineup reaches its finest synergy. I wanted to say that between "Watcher of the Skies" and "The Musical Box," on which it's somewhat pointless to add anything more, there’s "Can-Utility and the Coastliners," which is one of their best tracks, yet hardly anyone ever talks about it, after all... more
Stunning, one of the most beautiful albums of the entire decade. more
The pinnacle of New Trolls and one of the cornerstone albums of Italian prog. more
I was pleasantly surprised by "Fact and fiction," they deserve to be remembered as one of the main bands in the neoprogressive melting pot of the 80s. more
Among my absolute favorite bands. An electro-symphonic pop-rock of crystalline purity, embedded in the preferred structure of the concept album. From "Tales of Mystery and Imagination" to "Freudiana," pure bliss. more
Perhaps my favorite album by Alan Parsons as a solo artist, a concept album about flight with an ethereal and dreamy sound. Beautiful arrangements and the usual impeccable production serving a classy soft-rock laced with exquisite electronics. more
At this moment, as many have noticed, he is the most important new singer-songwriter in Italy. I’m not saying he is the best, but it's a miracle that in a time when no decent music is being produced in Italy, there is him. more
Let’s think about Italian rock, without making comparisons with other countries and other cultures. Vasco in our country is the one who has best succeeded in representing many generations of Italians through rock. Let’s try to be objective even for those who don’t like him. more
Comprehensive and thorough! more
The dirtiest group in history more
Last album of great seventies atmospheres more
Great atmosphere that this CD creates more
A HISTORICAL DOCUMENT OF MINGUS'S MUSIC IN THE "MIDDLE EARTH" more