fabriziozizzi
Infinitely true. more
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fabriziozizzi
Double CD: unreleased tracks and acoustic live. "Centro del mundo" and "L'esigenza" above all. more
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fabriziozizzi
fabriziozizzi

Nomadi — Allo specchio | DeRank™: 0,00

A sincere and honest album. more
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fabriziozizzi
Grotesque and jovial record. Guccini live at the "Folkstudio" and "Osteria delle dame." more
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fabriziozizzi
Master of "La collina," "Il frate," and "Asia." more
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fabriziozizzi
fabriziozizzi

Francesco Guccini — Radici | DeRank™: 3,38

"Bolognese! Remember: Sting is very good, but keep your Guccini. Someone who managed to write 13 verses about a locomotive can truly write about anything" (Giorgio Gaber). more
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Martello
Martello

Biagio Antonacci | DeRank™: 1,84

Ignoble more
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fabriziozizzi
fabriziozizzi

Decibel — Noblesse oblige | DeRank™: 0,00

Well-played album with real instruments and no samples. more
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Dragonstar
Dragonstar

Motörhead — Overkill | DeRank™: 3,82

Raw, dirty, unhealthy, adrenaline-fueled, heavy'n'roll. Title track, Metropolis, No Class, Limb From Limb, fantastic. Perhaps my favorite remains Capricorn because it feels like Lemmy wants to wink at his space rock past. more
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Dragonstar
Dragonstar

Motörhead | DeRank™: 0,00

The Miracle of Lemmy is that he managed to create a project that retains its uniqueness over time, without ever becoming boring. They are brash without being ridiculous. In contrast to them, in my opinion, AC/DC gets tiresome more easily... more
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Trentavoltemeg2
Trentavoltemeg2

Laura Pausini | DeRank™: 0,00

Her lyrics have always made me think. One of the best singers we have in Italy. more
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Eneathedevil
Trans? Interesting... and what would you infer it from? It seems that the criticism, always rather struggling with the understanding of Panellian texts, has been fairly unanimous in interpreting the piece as a description of a rape. more
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Martello
Musically, it could be the child of Michael Jackson, with those keyboards and that bass line...incredible. Lucio, I adore you👐 more
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Martello
The most rock of the eight tracks is, in the end, the only "minor" moment, which, however, in terms of music and lyrics, has nothing to envy to the others. Find me someone who tells me about an oceanic microwave. more
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Martello
Love and non-love. Saw keyboards that first make everything harder, then become softer, and in the chorus open up like a window on Sunday morning. The keyword is rosemary. more
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Martello
What can I say, my favorite track. Electric piano and funky guitar blend together in a strong and decisive melody. The lyrics need to be deciphered verse by verse, like unwrapping a chocolate, and at the end, you find the heart. more
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Martello
A link between Battisti pop and Battisti bianco. Catchy melody and less cryptic lyrics than the previous ones. A monstrous bass line (do you know who the bassist is? I could place him in Olympus). more
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Martello
Battisti rap. Dubstep. Dreamlike and electronic. Sorry if I'm brief here, but I'm in a mixed silk frenzy. It's pointless to define it, the lyrics speak for themselves. more
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Martello
Same mechanics as CSAR. Even heavier low-end and trippy, powerful lyrics. more
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Martello
Imposing bass line, gritty rhythms, and haunting keyboards. A text that talks (or does it?) about a transgender. How can you not love an album that starts like this? more
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