On the fifth album, with the full "clan," Vasco comes close to a masterpiece (to me, this is even superior to the following "Bollicine," which is weighed down by too many fillers). It has everything: the wild Vasco of "Sono ancora in coma," to the one with non-trivial love songs like "Ogni volta." First, there is "Splendida giornata" (a reggae track, on an album very much reggae rock), then there's "La noia," with a stunning saxophone finale. He made a mark at Sanremo with "Vado al massimo," and took the microphone with him. He was at his peak, but it was just 1982.
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