Nice group of noisy, drugged-up fools (and probably communists). 3 and a half. more
In any case, better than Civico 88. more
We hope it disintegrates soon like the homophone mineral. more
One day, Rusty Cage hit me and I never got back up. more
It started strong with three works of increasing quality (Maxinquaye, Nearly God, and his masterpiece Pre-Millennium Tension). He could have stopped there. Then, the process would be reversed... more
Singer-songwriter of remarkable craftsmanship. more
"Sounds of the past with modern enrichments" is something that has been done more or less since 1970. And I don't know who they are. more
With the brief Gillan-Hughes interlude behind them, Iommi discovers an obscure singer, Tony Martin. With his epic lyricism, the sound becomes more majestic than ever before, opening a trilogy of excellent albums. The magic was far from fading. more
In its genre, it is indeed essential; he is very skilled in cultivating radishes and chicory, but his strong suit has always been zucchini. more
Horrible and annoying timbre, singing technique of a rookie farmer. Only Celentano could throw it out there with umma umma. more
Ups and downs... a mediocre farmer. more
Ups and downs... a decent composer. more
A solitaire diamond more
I don't argue about the voice, but 1) it's a voice that's been ruined by those cheesy songs for Romina to perform; 2) it's as pleasant as a lizard in your underwear. more
THE GREATEST DIRECTOR IN THE WORLD more
Functional actor but untouchable icon, director of fine sensibility, man of great charm... what can I say... he even turns me on. I'm really sorry that he's already old. more
If I had to choose only 3 favorite movies, Once Upon a Time in America and The Good, the Bad and the Ugly would appear, taking up 66.6666666 (etc.) of that ranking... so by the laws of mathematics, Sergio Leone is the director that excites me the most! more
With Trower at the helm and the Hammond set aside a bit, the album (recorded with the feeling and timing of a live studio session) is bipolarity divided between hard rock (the relentless riff of Simple Sister, the abrasive Poor Mohammed, the old school boogie Memorial Drive) and ballads (the ambiguous lullaby Luskus Delph, the perverse Playmate Of The Mouth with ballroom piano and marching band, the title track). Power Failure is BJ's only spotlight. Song For A Dreamer is a spontaneous tribute to Hendrix. more
At the final test, after 8 LPs all of a certain level, the toy begins to break down. Only the last classic, the Latin-flavored Pandora’s Box, and the melancholic Fool’s Good live up to the past. The rest is mostly honest R&B, neither exceptional nor terrible, with a few praises. They are produced by Lieber & Stollen, who add brass and percussion to the funky The Unquiet Zone and contribute with the soul of I Keep Forgetting. Much less successful is the cover of the Beatles. more
The greatest chansonnier at home more