Well, stunning is an understatement. Pure poetry. more
BIFOLCS - but 60 beautiful songs in just 6 years. more
these would theoretically be the Italian answer to Roxette, as if it were worth responding to Roxette almost ten years late, by the way. Harmless and innocent, anyway. more
How sweet. more
But has it then come to light whether they are together or not? more
So much boredom, never an emotion. Bergman essentially said that Antonioni was not capable. Bergman, you understand? Not a debaserian-bimbominkia user. more
mediocre more
The same argument applies to "90125": it’s a rock album that’s a bit outside their usual style, an easy-listening approach that doesn’t quite fit the technical characteristics of the band members. It’s more convincing than its predecessor, but it’s still a "minor work." (7) more
Despite Anderson's departure, in "Drama" the Yes machine seems unaffected by the lineup change, delivering a mature, multifaceted work rich in quality. "Machine Messiah" is the highlight of the album, a track to remember. (8) more
Anderson returns, but the decisive shift towards a "polished" rock heavily influenced by AOR makes it one of the least successful albums from the Londoners. It is saved by the innate talent of the musicians, yet it is clear that this is a work (and a genre) that doesn’t fully belong to them. (6.5) more
I don't listen to him, but I recognize his talent and his style, which is anything but predictable; he is the only Italian who has ventured into r'n'b, well done Tiziano! more
I don't particularly like it, but they have a great communication and writing ability, as well as a nice voice. more
One of the greatest Italian voices of all time. more
the best brit-pop band of all time, there’s no doubt about it, and in fact they barely touch a rather slim decency, let alone everything else... more
With the times we live in, it's strange that he hasn't entered politics yet: with Grillo on the left (?) and him on the right, it would really be something to laugh about; maybe, maybe I would even vote for him! more
This monument stands to Post-Punk as the first Black Sabbath stands to Heavy Metal. A perpetually lit beacon for the entire Industrial scene... and it’s much more Punk than a lot of crap that still tries to pass itself off as such today. A timeless work. more
ah, and so this is Skrillex: not bad, he seems like the flashy son of Piero Pelù with a bit of Klaus Davi; if that’s the case... more
Regardless of the genre to which he is assigned (which many consider inappropriate), Skrillex has managed to propose a genre that, beyond the personal tastes of every listener, few have managed to present as well as he has. At least in terms of making it enjoyable and marketable. Despite this, after his initial productions, he quickly fell into a saturation of overly commercial and uncreative banality. So, 2 points for him as he swiftly descended into the depths of the business. more
One of the most advanced minds of the century. Him and all his Krauti pals. Immense. more
When an artist reaches high levels of composition and performance, they have two paths: to turn to commercial pop or to create unique and impeccable music like that of GY!BE. more