Come on! You’re shading him too?!...... anyway, it’s true, I prefer Donald Duck. more
A TV persona that will be entertaining when they’re on the channel you don’t watch. more
...what a meanie... more
pleasant like a flute across the ass, and when I say across I mean just like the position. more
Look at how that son of a bitch Nando dances! more
polyhedral more
Interesting in the first 2 albums "Mail On Sunday" and "Roots," where the various collaborations with Timbaland, Lil Wayne, and other types made sense. Then he met David Guetta and the tunz tunz. On a downward slope but still the most fun in the genre. A must-see live at some bro-disco night. more
Musical neorealism. Excellent. more
Interesting album, perhaps the most successful of the "new course" embarked upon with "90125": the style of the first period trying to reconcile with the more direct and purely pop/AOR approach of the second. Sometimes the results are good, other times less so. (7.5) more
Zos Kia Kultus returns with an even more refined sound and a production that fully captures the destructive totality of the new Behemoth. more
Violent and decisive, a blow to their old "blackster" image. Finally, a nasty, aggressive sound, with sharp teeth and ready to butcher. Hammering and cutting rhythms, a feline voice. A great record that, however, sometimes feels a bit saturated with ideas, leading to the occasional skipping of certain songs. more
A great album, Nergal unleashes a powerful and effective growl for the sound proposed by the band. A violent death metal but melodically well thought out, without any audio "mishaps." Finally, someone who understands that good metal is neither made by pure technicalities (see the early Children Of Bodom) nor by extremely crude qualities both musically and qualitatively (see Behemoth themselves in their early Black Metal productions). A great album. more
Real rating: 3.5.
A beautiful album, beautiful tracks. But too, TOO, TTTTTTOOOOOO melancholy. Great for romantic movie soundtracks or for people who are emotionally in an "active" situation (both positively and negatively). The songs themselves sound very similar to each other. For me, it has been overrated in terms of compositional quality. Melodically enjoyable and listenable. more
An album that may grow on you as you listen to it. The Kraftwerkian rendition of Talk/Computer Love is nice, and the increased use of electronic instruments such as synthesizers is commendable. All in all, however, it’s a mediocre album in terms of creative offering. It deserves a 3.5. more
A beautiful, decisive, effective pop rock. Good study of the tracks and nice melodies. A drop in quality with "Green Eyes" and "Amsterdam," which make you want to vomit. more
The usual pop omelet, which even comes out individually, in a completely isolated context, created solely for the exclusive need to sell and to be able to show up under the tree even in 2011. All in all, a nice and catchy song, pure Coldplay style, the theme for a possible movie finale titled "Christmas at Chris Martin's House." more
A fall from grace, in my opinion. A return to the origins that I really didn't want to expect after a beautiful and innovative Viva La Vida. Simple and shamefully pop. Only "Life in Technicolor II" is nice. more
Mediocre live EP that fully showcases the pop potential of the band. Nice idea to distribute it for free at the shows (even though here, our very own Elio E Le Storie Tese are winning with their "Brulè" CDs) but it's not really a "must." more
A collector's gem. The acoustic versions are beautiful, although the recordings are a bit poor despite being produced in 1998 (and not in Burundi). In itself, it's an album that could have not existed in Angra's discography, but on the other hand, it's only found in the "Holy Box" set, so its sole and obvious commercial purpose was also expected. more
Listenable more