Wonder of nature. Spectacular voice, beautiful songs, elegant and classy. Absolutely magnificent. more
Really ugly piece of rubber with pseudo-human features and, to make matters worse, an awful voice. It sings perpetually out of tune and screams...damn how it screams, it’s worse than Pausini. more
Emo-roid. more
shit [ʃɪt] n. 1 The undigested part of food that is expelled through defecation SYN dung, excrement, feces. 2 figurative. A despicable person or thing, of no account or value: that man, that movie is a piece of shit. more
Fantastic with Bluvertigo, excellent as a solo artist, great in a television context as well. more
At the risk of being repetitive, genius! more
Lezioso more
aphex twin is like a god to me more
Well, I think I prefer this to Rain Dogs. Compared to its successor, it's more innovative, daring, and experimental, even though the quality of the tracks is more or less the same. One of my favorite albums, in any case. more
Of the first period, the most accessible, perfect for lazy summer afternoons. more
Warm and intense voice, listening to "Long Long Time" more
It's true, he uses a lot of nice words, and I like him too, but from his side, I would like to see more actions and less talk. more
Second album by IQ and the peak of New Progressive. more
Interesting album in the more "pop" tracks. Light experimentation in the rest of the overall work. A decent album that won't become one of my favorites. Nice to listen to at "convivial" occasions. more
A modest start for an artist who certainly shows promise. more
Underestimated, by now his image is more associated with that of a television presenter (he has some blame in this), but as far as his music side is concerned, there's nothing to say, an unmistakable voice, an excellent lyricist, and a great guitarist by his side for over twenty years (Luigi Schiavone). more
A really great group up to "Green". Then moooolto less. more
first, the most honest workers of twilight post-punk and then able to reinvent themselves, refining with each single, until they became the perfect song machine of all indie pop. The fact that they released huge records on Factory first and then on Sarah should already serve as a guarantee. more
the most progressive face of the English post-punk. with two albums inventing the echoes of the first ten years of the 2000s, to say the least. more
A collective hallucination. more