(Describing by reasoning for/on a good annual portion)
R.A.I 1, at least since the earthly departure of Frizzi: sentimental and frivolous like C5, venal, cynically arrogant, repetitive, self-defeating, artistically poor, silly, and officious in the rare intense moments.
R.A.I 2: sports-oriented, unpredictably socio-cultural (except during the Christmas period brrr), journalistically authoritative, open-minded and balanced, rationally comical and more varied than twenty years ago, although Extratelevisively unattractive.
R.A.I 3: with a medium-pragmatic approach, very political, wanting to be so anachronistic during the Covid era that it evokes pity.
R.A.I 4 still too immature.
R.A.I 5 - Edu: refreshing, cultured, eccentric, never irritating.
R.A.I Premium - YoYo: at times realistic and at times fairy-tale-like, with some isolated flaws in the "proposal menu."
R.A.I scuola: instructive but not too much, identity hidden behind facade premises.
R.A.I Movie: surprising in its simplicity and immediacy, occasionally pleasant,
but (except in the p.n.) never as engaging as the "different twins" Cine 34 and Canale 20.
RAI Radiouno, RAI Radiodue, RAI Radiotrè:
The first two qualitatively declining since 2017/18 while the third is in a state of grace.
Marginal raiPlay and the "precious girl" raiNews24.
Fìn
more
